Antonino Faà di Bruno (b. 1910)

Gallery Unavailable

Alias:
Faa Di Bruno

Birthplace:
London, England

Born:
December 15, 1910

Antonino Faà di Bruno (15 December 1910 – 2 May 1981) was an Italian actor and former military officer.  A member of the aristocratic Faà di Bruno family, Antonino Faà di Bruno was born in London, the son of Marchese Alessandro Faà di Bruno (who was the Italian consul in London at that time) and of his wife Fanny Costì. He was named after his namesake ancestor, Antonino Faà di Bruno (1762–1829), who was Bishop of Asti in the 19th century. He took up a military career, becoming a lieutenant in the grenadiers and fighting in Italian East Africa. After his retirement in 1964, with the rank of Brigadier General, Faà di Bruno started a career as an actor, working with Carlo Lizzani (La vita agra), Pier Paolo Pasolini (Pigsty), Vittorio De Sica (Lo chiameremo Andrea), Billy Wilder (Avanti!), Federico Fellini (Amarcord), Luciano Salce (Alla mia cara mamma nel giorno del suo compleanno), Mario Monicelli (We Want the Colonels).  Tall at 1.96 metres (6 ft 5 in), with a baritone voice and an aristocratic bearing, Antonino Faà di Bruno was often cast in roles of high rank, nobleman, officers and members of the ruling class. He performed as a character actor in several commedia all'italiana films, and became known for playing the role of retired Lt.Col. Vittorio Emanuele Ribaud, who attempted a coup d'état in We Want the Colonels, and of the Duke-Count Piercarlo Semenzara in Il secondo tragico Fantozzi.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.