A work in constant progress (and occasional regress).
Alias:
Faa Di Bruno
Birthplace:
London, England
Born:
December 15, 1910
Antonino Faà di Bruno (15 December 1910 – 2 May 1981) was an Italian actor and former military officer. A member of the aristocratic Faà di Bruno family, Antonino Faà di Bruno was born in London, the son of Marchese Alessandro Faà di Bruno (who was the Italian consul in London at that time) and of his wife Fanny Costì. He was named after his namesake ancestor, Antonino Faà di Bruno (1762–1829), who was Bishop of Asti in the 19th century. He took up a military career, becoming a lieutenant in the grenadiers and fighting in Italian East Africa. After his retirement in 1964, with the rank of Brigadier General, Faà di Bruno started a career as an actor, working with Carlo Lizzani (La vita agra), Pier Paolo Pasolini (Pigsty), Vittorio De Sica (Lo chiameremo Andrea), Billy Wilder (Avanti!), Federico Fellini (Amarcord), Luciano Salce (Alla mia cara mamma nel giorno del suo compleanno), Mario Monicelli (We Want the Colonels). Tall at 1.96 metres (6 ft 5 in), with a baritone voice and an aristocratic bearing, Antonino Faà di Bruno was often cast in roles of high rank, nobleman, officers and members of the ruling class. He performed as a character actor in several commedia all'italiana films, and became known for playing the role of retired Lt.Col. Vittorio Emanuele Ribaud, who attempted a coup d'état in We Want the Colonels, and of the Duke-Count Piercarlo Semenzara in Il secondo tragico Fantozzi.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.