A work in constant progress (and occasional regress).
Release Date:
December 23, 1975
Original Title:
La donna della domenica
Alternate Titles:
Die Sonntagsfrau
La Donna Della Domenica
La femme du dimanche
La mujer del domingo
The Sunday Woman
Genres:
Crime | Mystery
Production Companies:
Les Productions Fox Europa
Primex
Production Countries:
France | Italy
Ratings / Certifications:
FR: TP
Runtime: 109
Police commissioner Santamaria is investigating the murder of the ambiguous architect Mr. Garrone. The investigations soon drive him into the Torino's high society. Santamaria suspect Anna Carla and at the same time falls in love for her. Lello is the lover of Massimo, Anna Carla’s gay friend. He is following another direction in order to find out the truth, and his results are confusing the Policeman. But another murder happens...
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Assistant Camera:
Michele Picciaredda
Assistant Director:
Elio Girlanda
Amy Werba
Vincenzo D'Errico
Assistant Editor:
Giuliano Corso
Camera Operator:
Romano Albani
Costume Design:
Mario Ambrosino
Director:
Luigi Comencini
Director of Photography:
Luciano Tovoli
Editor:
Antonio Siciliano
Grip:
Ettore Duranti
Novel:
Carlo Fruttero
Franco Lucentini
Original Music Composer:
Ennio Morricone
Other:
Filippo Moroni
Ditta D'Angelo
Antonio Catalano
Presenter:
Roberto Infascelli
Producer:
Roberto Infascelli
Marcello D'Amico
Production Design:
Mario Ambrosino
Production Manager:
Paolo Infascelli
Production Secretary:
Paolo Bistolfi
Screenplay:
Agenore Incrocci
Furio Scarpelli
Script Supervisor:
Grazia Baldanello
Second Assistant Director:
Luigi Patrizi
Set Decoration:
Claudio Cinini
Shoe Design:
Vito Lattuada
Sound:
Giorgio Pallotta
Sound Effects Editor:
Massimo Anzellotti
Sound Mixer:
Romano Checcacci
Still Photographer:
Sergio Strizzi
Unit Production Manager:
Egidio Valentini
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.