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Biaffra (b. 1964)

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Alias:
Arturo García

Birthplace:
Bilbao, Vizcaya, País Vasco, Spain

Born:
April 30, 1964

Biography from TheMovieDB

Biaffra was born on April 30, 1964 in Bilbao, Vizcaya, Spain as Arturo García. He is an art director and production designer, known for Witching & Bitching (2013), The Day of the Beast (1995) and TimeCrimes (2007).

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Additional information:

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Film Performances

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Film Production

Art Direction:
1994  Justino, un asesino de la tercera edad
1996  Matías, juez de línea
2000  Heart of the Warrior
2001  Torrente 2: Mission in Marbella
2002  800 Bullets
2005  Torrente 3: The Protector
2006  The Baby's Room
2007  Guantanamero
2007  Timecrimes
2009  Amona putz!
2010  Unresolved Sexual Tension
2017  Perfect Strangers
2017  The Bar

Production Design:
1992  Killer Mirindas
1994  Justino, un asesino de la tercera edad
1995  The Day of the Beast
1996  Matías, juez de línea
1997  Dance with the Devil
1998  Atilano, presidente
2000  Heart of the Warrior
2001  Torrente 2: Mission in Marbella
2002  800 Bullets
2005  Torrente 3: The Protector
2006  The Baby's Room
2007  Guantanamero
2007  Timecrimes
2009  Amona putz!
2009  Friend Zone
2010  Unresolved Sexual Tension
2013  Witching & Bitching
2014  Torrente 5
2015  My Big Night
2017  Perfect Strangers
2017  The Bar
2017  The Tunnel

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.