A work in constant progress (and occasional regress).
Release Date:
October 20, 1995
Original Title:
El día de la bestia
Alternate Titles:
Dan zvijeri
Dzien bestii
The Day of the Beast
День зверя
Денят на звяра
야수의 날
Genres:
Action | Comedy | Horror
Production Companies:
Canal+ España
Iberoamericana Films Produccion
Sogetel
Production Countries:
Italy | Spain
Ratings / Certifications:
ES: 18 FR: 12 GB: 18 IT: T PT: M/16 RO: 18 US: R
Runtime: 103
The story revolves around a Basque Roman Catholic priest dedicated to committing as many sins as possible, a death metal salesman from Carabanchel, and the Italian host of a TV show on the occult. These go on a literal "trip" through Christmas-time Madrid to hunt for and prevent the reincarnation of the Antichrist.
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Animation:
Gabe Ibáñez
Assistant Director:
José María González Sinde
Jorge Sempere
Assistant Editor:
Irene Blecua
Assistant Makeup Artist:
Miguel Sesé
Assistant Production Manager:
Carmen Sánchez de la Vega
Assistant Property Master:
Salvador López
Associate Producer:
Fernando de Garcillán
Boom Operator:
Jaime Fernández-Cid Buscató
Costume Design:
Estíbaliz Markiegi
Digital Compositors:
Rafa Solórzano
Director:
Álex de la Iglesia
Director of Photography:
Flavio Martínez Labiano
Dolby Consultant:
Jaume Puig
Editor:
Teresa Font
Electrician:
Ricardo Rodríguez
First Assistant Camera:
Juan Leiva
Grip:
Edmundo Sanz
Hairstylist:
Mercedes Guillot
Key Grip:
Ramón Muñoz Bravo
Line Producer:
Carmen Martínez Rebé
Makeup Artist:
José Quetglás
Makeup Effects Designer:
José Antonio Sánchez
Original Music Composer:
Battista Lena
Producer:
Claudio Gaeta
Andrés Vicente Gómez
Antonio Saura
Production Assistant:
Ángel Luis De Diego Jr.
Production Design:
José Luis Arrizabalaga
Biaffra
Production Manager:
Carmen Martínez Rebé
Screenplay:
Jorge Guerricaechevarría
Álex de la Iglesia
Sound:
Gilles Ortion
Sound Designer:
Ray Gillon
Miguel Rejas
Sound Effects Editor:
Gareth Bull
Still Photographer:
Pipo Fernández
Stunt Coordinator:
Ignacio Carreño
Stunts:
Ismael Martínez
VFX Artist:
Miguel García-Villaraco Casero
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.