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Terry Forrestal (1948-2000)

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Born:
May 13, 1948

Died:
June 10, 2000

Additional information:

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Film Performances

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Film Production

Second Unit Director:
1999  Virtual Sexuality

Stunt Coordinator:
1984  The Killing Fields
1996  Breaking the Waves
1996  Trainspotting
1998  Elizabeth
1998  Getting Hurt
1999  Virtual Sexuality
2000  Britannic

Stunts:
1980  The Long Good Friday
1981  An American Werewolf in London
1984  Indiana Jones and the Temple of Doom
1984  Sheena
1984  The Killing Fields
1985  Death Wish 3
1985  Lifeforce
1985  Spies Like Us
1989  Batman
1991  Robin Hood: Prince of Thieves
1995  Braveheart
1995  GoldenEye
1996  Breaking the Waves
1996  Trainspotting
1997  The Fifth Element
1997  Titanic
1998  Elizabeth
1998  Getting Hurt
1999  In China They Eat Dogs
1999  The World Is Not Enough
1999  Virtual Sexuality
2000  Britannic

Thanks:
1980  The Long Good Friday
1981  An American Werewolf in London
1984  Indiana Jones and the Temple of Doom
1984  Sheena
1984  The Killing Fields
1985  Death Wish 3
1985  Lifeforce
1985  Spies Like Us
1989  Batman
1991  Robin Hood: Prince of Thieves
1995  Braveheart
1995  GoldenEye
1996  Breaking the Waves
1996  Trainspotting
1997  The Fifth Element
1997  Titanic
1998  Elizabeth
1998  Getting Hurt
1999  In China They Eat Dogs
1999  The World Is Not Enough
1999  Virtual Sexuality
2000  Britannic
2001  Jolly Roger

Click the heading above to show or hide the list.

TV Production

Stunt Coordinator:
1986  Lovejoy
1993  Cracker

Stunts:
1981  Bergerac
1986  Lovejoy
1993  Cracker
2000  Jam

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.