A work in constant progress (and occasional regress).
John Myhre (born 1959) is an American production designer who has been working in Hollywood since the late 1980s. He received his first Academy Award nomination, for Best Art Direction, in 1998, for Shekhar Kapur's Elizabeth, bringing him to the forefront of Hollywood production designers. His credits have included X-Men, Ali, and The Haunted Mansion. He is also a frequent collaborator of director Rob Marshall, working on the films Chicago, Memoirs of a Geisha, Nine, Pirates of the Caribbean: On Stranger Tides, and Mary Poppins Returns, with the former two winning him the Academy Award for Best Art Direction. Myhre's production design was also seen in 2006 on Bill Condon's Dreamgirls, which was also nominated for an Academy Award for Best Art Direction. Description above from the Wikipedia article John Myhre, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Art Direction:
1987 Russkies
1989 Blind Fury
1989 Deadly Weapon
1989 Out on the Edge
1990 Welcome Home, Roxy Carmichael
1991 Popcorn
1991 Salmonberries
1993 What's Eating Gilbert Grape
1994 Immortal Beloved
Director:
1979 He May Be Dead: But He's Elvis
1987 Russkies
1989 Blind Fury
1989 Deadly Weapon
1989 Out on the Edge
1990 Welcome Home, Roxy Carmichael
1991 Popcorn
1991 Salmonberries
1993 What's Eating Gilbert Grape
1994 Immortal Beloved
Producer:
1979 He May Be Dead: But He's Elvis
1987 Russkies
1989 Blind Fury
1989 Deadly Weapon
1989 Out on the Edge
1990 Welcome Home, Roxy Carmichael
1991 Popcorn
1991 Salmonberries
1993 What's Eating Gilbert Grape
1994 Immortal Beloved
Production Design:
1979 He May Be Dead: But He's Elvis
1987 Russkies
1989 Blind Fury
1989 Deadly Weapon
1989 Out on the Edge
1989 Puppet Master
1990 Welcome Home, Roxy Carmichael
1991 Popcorn
1991 Salmonberries
1992 The Silencer
1993 Airborne
1993 What's Eating Gilbert Grape
1994 Immortal Beloved
1996 Foxfire
1997 Anna Karenina
1997 Lawn Dogs
1997 Vanishing Point
1998 Elizabeth
2000 X-Men
2001 Ali
2002 Chicago
2005 Memoirs of a Geisha
2006 Dreamgirls
2006 Tony Bennett: An American Classic
2008 Wanted
2009 Nine
2011 Pirates of the Caribbean: On Stranger Tides
2014 X-Men: Days of Future Past
2016 The Great Wall
2018 Mary Poppins Returns
2019 Lady and the Tramp
2023 The Little Mermaid
Writer:
1979 He May Be Dead: But He's Elvis
1987 Russkies
1989 Blind Fury
1989 Deadly Weapon
1989 Out on the Edge
1989 Puppet Master
1990 Welcome Home, Roxy Carmichael
1991 Popcorn
1991 Salmonberries
1992 The Silencer
1993 Airborne
1993 What's Eating Gilbert Grape
1994 Immortal Beloved
1996 Foxfire
1997 Anna Karenina
1997 Lawn Dogs
1997 Vanishing Point
1998 Elizabeth
2000 X-Men
2001 Ali
2002 Chicago
2005 Memoirs of a Geisha
2006 Dreamgirls
2006 Tony Bennett: An American Classic
2008 Wanted
2009 Nine
2011 Pirates of the Caribbean: On Stranger Tides
2014 X-Men: Days of Future Past
2016 The Great Wall
2018 Mary Poppins Returns
2019 Lady and the Tramp
2023 The Little Mermaid
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.