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Foxfire (1996) [R]

Release Date:
August 23, 1996

Original Title:
Foxfire

Alternate Titles:
Foxfire - Girls ohne Gnade
Jóvenes incomprendidas
Rebeldes
Versteck der Angst
Ложный огонь

Genres:
Action | Drama | Thriller

Production Companies:
Chestnut Hill Productions
Red Mullet Productions
Rysher Entertainment

Production Countries:
United States of America

Ratings / Certifications:
GB: 18  US: R 

Runtime: 102

It took them 17 years to learn the rules. And one week to break them all.

Overview from TheMovieDB

The story of five teenage girls who form an unlikely bond after beating up a teacher who has sexually harassed them. They build a solid friendship but their wild ways begin to get out of control.

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Additional information:

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Video

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Trailer

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Performers

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Production

"B" Camera Operator:
David M. Dunlap

ADR Editor:
Noah Blough

ADR Mixer:
Jeff Courtie

ADR Recordist:
Evelyn Hokanson

Art Department Coordinator:
Aimee House

Art Direction:
Alan Locke

Assistant Art Director:
Teresa J. Tamiyasu

Assistant Chief Lighting Technician:
Dennis Rice

Assistant Location Manager:
Robert Haines

Assistant Makeup Artist:
Martin 'Vinnie' Hagood

Assistant Production Coordinator:
Judy Tanke

Assistant Property Master:
Beth Giles

Assistant Sound Editor:
Chris Winter
Ken Miller

Best Boy Grip:
Brent Lawson

Book:
Joyce Carol Oates

Boom Operator:
Freddy Chancellor

Casting:
Mali Finn

Casting Associate:
Emily Schweber

Chief Lighting Technician:
Anthony G. Nakonechnyj

Co-Producer:
Marc S. Fischer

Color Timer:
Keith Parrish

Colorist:
Greg Curry

Construction Coordinator:
Jan Pederson

Construction Foreman:
Bill Burbach

Costume Design:
Laura Goldsmith

Costume Supervisor:
Tangi Crawford

Director:
Annette Haywood-Carter

Director of Photography:
Newton Thomas Sigel

Editor:
Louise Innes

Electrician:
Robert Consentino
Kelly Way
Michael Gall

Executive Producer:
Mike Figgis
Laura Friedman
Paige Simpson

First Assistant "B" Camera:
Kathina Szeto

First Assistant Camera:
Tama Takahashi
Michael Thomas

First Assistant Director:
Mary Ellen Woods

First Assistant Editor:
Logan Breit

Foley Artist:
Gary A. Hecker
Alicia Stevenson

Foley Editor:
Vic Radulich

Foley Mixer:
Nerses Gezalyan

Grip:
Mike Hanauska
Joe Mead
Brian C. Lawson
Kevin Fletcher

Key Hair Stylist:
Danny Valencia

Leadman:
Benjamin Hayden

Location Casting:
Nannette Troutman

Location Manager:
Sara Burton

Makeup Department Head:
Eileen Kastner-Delago

Music Editor:
Tom Kramer

Music Supervisor:
Amanda Scheer-Demme
Mark Pearson

Original Music Composer:
Michel Colombier

Post Production Accountant:
Eric C. Pike

Producer:
Jeffrey Lurie
John Bard Manulis
John P. Marsh

Production Accountant:
Harvey Malkin

Production Assistant:
Gary Roundtree
Gary Mobley
April Fitzsimmons
Mandy Olsen Cogman

Production Coordinator:
Robin Le Chanu

Production Design:
John Myhre

Production Supervisor:
John V. Stuckmeyer

Property Master:
Robert Beck

Screenplay:
Elizabeth White

Script Supervisor:
Jacqueline R. Clay

Second Assistant Camera:
Marie Pedersen
Gary Gatewood

Second Assistant Director:
Lynn Wegenka

Second Second Assistant Director:
Elisa Sansalone
Kathy Krause

Set Costumer:
Sarah Hackett

Set Decoration:
Marthe Pineau

Set Dresser:
Sean Fong
Joel Elmson
Roman Gunther
David A. Morgan

Sound Effects Editor:
Steven Ticknor
Scott Wolf

Sound Mixer:
Jim Hawkins

Sound Re-Recording Mixer:
Sergio Reyes
B. Tennyson Sebastian III

Sound Recordist:
Tim Gomillion

Sound Supervisor:
Sandy Gendler

Special Effects Coordinator:
I.J. Van Perre

Steadicam Operator:
Michael Meinardus

Still Photographer:
Jane O'Neal

Storyboard Artist:
J.D. Alley

Stunt Coordinator:
Russell Towery

Stunts:
Lori Seaman
Carl Ciarfalio
Steve Buckley
Debbie Lynn Ross
Rick Seaman
Dick Hancock
Judy Tanke
Ben Loggins
Jimmy Ortega
Diane Towery

Supervising ADR Editor:
Val Kuklowsky

Transportation Captain:
Mark Knotts

Transportation Co-Captain:
Carol Knotts

Transportation Coordinator:
Bruce Simballa

Unit Production Manager:
Marc S. Fischer

Unit Publicist:
Laura Kim

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.