A work in constant progress (and occasional regress).
Camera Car:
1986 Happy High School
1987 Las esclavas
Camera Operator:
1985 Waiting for the Hearse
1986 Happy High School
1987 Las esclavas
2002 A Red Bear
2002 La fe del volcán
2003 Assassination Tango
2012 Beauty
Cinematography:
1985 Waiting for the Hearse
1986 Happy High School
1987 Las esclavas
1995 ¡Que vivan los crotos!
2000 El astillero
2002 A Red Bear
2002 La fe del volcán
2003 Assassination Tango
2004 Ay, Juancito
2012 Beauty
Director of Photography:
1985 Waiting for the Hearse
1986 Happy High School
1987 Las esclavas
1991 The Tombs
1991 Ya no hay hombres
1995 ¡Que vivan los crotos!
1996 Lola Mora
2000 El astillero
2002 A Red Bear
2002 La fe del volcán
2003 Assassination Tango
2004 Ay, Juancito
2005 Cuatro mujeres descalzas
2006 Paraguayan Hammock
2010 It's Your Fault
2012 Beauty
2017 Histoires de la plaine
First Assistant Camera:
1985 The Official Story
1985 Waiting for the Hearse
1986 Happy High School
1987 Las esclavas
1991 The Tombs
1991 Ya no hay hombres
1995 ¡Que vivan los crotos!
1996 Lola Mora
2000 El astillero
2002 A Red Bear
2002 La fe del volcán
2003 Assassination Tango
2004 Ay, Juancito
2005 Cuatro mujeres descalzas
2006 Paraguayan Hammock
2010 It's Your Fault
2012 Beauty
2017 Histoires de la plaine
Writer:
1985 The Official Story
1985 Waiting for the Hearse
1986 Happy High School
1987 Las esclavas
1991 The Tombs
1991 Ya no hay hombres
1995 ¡Que vivan los crotos!
1996 Lola Mora
2000 El astillero
2002 A Red Bear
2002 La fe del volcán
2003 Assassination Tango
2004 Ay, Juancito
2005 Cuatro mujeres descalzas
2006 Paraguayan Hammock
2010 It's Your Fault
2012 Beauty
2017 Histoires de la plaine
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.