A work in constant progress (and occasional regress).
Release Date:
February 14, 2012
Original Title:
Nosilatiaj: La belleza
Alternate Titles:
Beauty: Nosilatiaj
Genres:
Drama
Production Companies:
Campo Cine
HD Argentina
Morocha Films
Red Post - Vista Sur S.R.L.
Production Countries:
Argentina
Ratings / Certifications:
N/A
Runtime: 83
Set in the north of Argentina. Yolanda, a young girl of Wichi origin, tells in her native language (Wichi Lhämtes), the story of how, as a family maid in a "criollo" home, she has her hair unjustly cut: this is her most particular trait, her beauty. This event jeopardizes her cultural ties with the "criollo" world and defines her destiny.
Art Direction:
Julia Gargiulli
Assistant Director:
Bárbara Sarasola-Day
Assistant Editor:
Mercedes Oliveira
Federico Casoni
Associate Producer:
Gonzalo Rodríguez Bubis
Nicolás Avruj
Diego Lerman
Boom Operator:
David Mauricio Velásquez
Camera Operator:
Willi Behnisch
Director:
Daniela Seggiaro
Director of Photography:
Willi Behnisch
Dolby Consultant:
Mario Faucher
Editor:
Martín Mainoli
Ana Poliak
Daniela Seggiaro
Electrician:
Cristian Díaz
Gaspar 'Quique' Silva
Executive Producer:
Álvaro Urtizberea
Gaffer:
Eduardo Broman
Grip:
Hugo Senille
Makeup Artist:
Marcelo Iúdice
Music Director:
Fernando Subelza
Post Production Assistant:
Priscila Navarro
Producer:
Álvaro Urtizberea
Property Master:
Martín González
Pablo Herrera
Script Supervisor:
Diego Lublinsky
Set Costumer:
Julia Rebottaro
Sound Director:
Catriel Vildosola
Sound Mixer:
Alberto Tarantini
Roberto Migone
Sound Recordist:
Andrés Rocca
Translator:
Pamela Gowland
Writer:
Daniela Seggiaro
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.