A work in constant progress (and occasional regress).
Birthplace:
Bologna, Italy
Born:
November 4, 1926
Died:
March 21, 2013
Giancarlo Zagni was an Italian director and screenwriter. Born in Bologna, he attended the Faculty of Medicine at the University of Bologna, then collaborated with L'avvenire d'Italia and other newspapers and magazines. From 1951 to 1954, he was assistant director to Luchino Visconti in several stage works and in the film Senso; on the film set, he met actress Alida Valli, with whom he started a sixteen-year-long relationship. During this period, he left Italy, first moving to New York, where he attended the Actors Studio, and then to Mexico, where he directed some stage plays and became the founder and a professor of the School of Autonomous Cinema National at the University of Mexico. Returning to Italy in 1961, Zagni made his directorial debut with the film La bellezza di Ippolita, an adaptation of the novel of the same name written by Elio Bartolini, with which he represented Italy at the 12th Berlin International Film Festival. In 1966, he entered the Venice Film Festival with the comedy film Blockhead, which won the "Leone di San Marco Plate." With this film, he retired from filmmaking but not from the cinema industry, embarking on a new career as a producer and distributor as a manager of the company Italnoleggio.
Co-Director:
1965 The Mandrake
Director:
1962 La bellezza di Ippolita
1965 Black Humor
1965 The Mandrake
1966 Testadirapa
Screenplay:
1962 La bellezza di Ippolita
1965 Black Humor
1965 The Mandrake
1966 Testadirapa
1968 Execution
Second Assistant Director:
1954 Senso
1962 La bellezza di Ippolita
1965 Black Humor
1965 The Mandrake
1966 Testadirapa
1968 Execution
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.