A work in constant progress (and occasional regress).
Release Date:
September 21, 1962
Original Title:
La bellezza di Ippolita
Alternate Titles:
A Beleza de Hipólita
Curves in the Road
Die schöne Ippolita
Ippolita szépsége
La beauté d'Hippolyte
La belleza de Hipólita
O erotas kai i gynaika
She Got What She Asked For
Genres:
Comedy
Production Companies:
Arco Film
Francinex
Pathé Consortium Cinéma
Production Countries:
France | Italy
Ratings / Certifications:
N/A
Runtime: 85
Luca, a petrol dealer, marries a magazine dancer, Ippolita, a girl who likes to be courted by the many passing motorists. One day, the woman discovers that her husband has betrayed her with Adriana. Ippolita decides her revenge: she assures Luke that she will keep her duties as a wife only when she too has allowed herself similar distractions. Through a series of animated events, the two resume married life: but Luca will not be able to know if Ippolita was really unfaithful to him.
Administration:
Vincenzo Taito
Camera Operator:
Camillo Bazzoni
Choreographer:
Gino Landi
Co-Director:
Salvatore Rosso
Conductor:
Roberto Pregadio
Costume Design:
Veniero Colasanti
Luciana Marinucci
Director:
Giancarlo Zagni
Director of Photography:
Aldo Scavarda
Editor:
Nino Baragli
Makeup Artist:
Thea Boggiatto
Novel:
Elio Bartolini
Original Music Composer:
Carlo Rustichelli
Producer:
Alfredo Bini
Production Design:
Flavio Mogherini
Production Manager:
Gino Millozza
Production Secretary:
Bruno Frascà
Screenplay:
Giancarlo Zagni
Massimo Franciosa
Pasquale Festa Campanile
Elio Bartolini
Script Supervisor:
Mirella Gamacchio
Renato Rizzuto
Set Decoration:
Bruno Cesari
Sound:
Roberto Mattioli
Unit Manager:
Fernando Franchi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.