A work in constant progress (and occasional regress).
Alias:
Шарлот Кук
Birthplace:
London, UK
Charlotte Cook is a curator, writer and producer. Prior to Field of Vision, she was the Director of Programming at Hot Docs, North America’s largest documentary festival. In London, Charlotte was the Head of Film Programming at The Frontline Club. She has also worked with BBC Storyville, the Channel 4 BritDoc Foundation’s Puma Creative Catalyst Fund and the Edinburgh International Film Festival, where she curated the strand Conflict | Reportage. In addition to her work at Field of Vision, Charlotte is currently a programmer at CPH:DOX.
Co-Producer:
2021 Memoria
Executive Producer:
2016 Concerned Student 1950
2016 Like
2016 Project X
2016 Speaking Is Difficult
2016 The Journey
2017 A Night at the Garden
2017 American Carnage
2017 Conditioned Response
2017 Duterte's Hell
2017 Gavin Grimm vs.
2017 Graven Image
2017 National Disintegrations
2017 Our New President
2017 Personal Truth
2017 Picket Line
2017 The Moderators
2017 Trump's Lobby
2018 Adversary
2018 Crime + Punishment
2018 Crooked Lines
2018 Dancing with Le Pen
2018 Discreet Airlift
2018 Hale County This Morning, This Evening
2018 In the Absence
2018 Nuuca
2018 The Earth is Humming
2019 Cablestreet
2019 Days of Black and Yellow
2019 Easter Snap
2019 Ghosts of Sugar Land
2019 Libre
2019 Scenes from a Dry City
2019 Shooting the Mafia
2019 The Hour of Lynching
2019 The Trial
2019 XY Chelsea
2020 Disclosure
2020 Elevator Pitch
2020 Landfall
2020 MLK/FBI
2020 The Rifleman
2020 This is an Address
2020 Utuqaq
2021 Memoria
2021 Open Shutters
2021 Red Taxi
2021 The Facility
2021 We Were There to Be There
2022 Nothing Compares
2022 Relative
2022 Riotsville, USA
2022 We Met in Virtual Reality
2023 How to Have an American Baby
2023 Madulu, the Seaman
2023 Users
2024 Everybody's Watching
2024 Milisuthando
2024 The End
Producer:
2016 Concerned Student 1950
2016 Like
2016 Project X
2016 Speaking Is Difficult
2016 The Journey
2016 The Vote
2017 A Night at the Garden
2017 American Carnage
2017 Balloonfest
2017 Clowns
2017 Conditioned Response
2017 Duterte's Hell
2017 Gavin Grimm vs.
2017 Graven Image
2017 National Disintegrations
2017 Our New President
2017 Personal Truth
2017 Picket Line
2017 The Moderators
2017 Trump's Lobby
2018 Adversary
2018 Crime + Punishment
2018 Crooked Lines
2018 Dancing with Le Pen
2018 Discreet Airlift
2018 Hale County This Morning, This Evening
2018 In the Absence
2018 Nuuca
2018 Our New President
2018 The Earth is Humming
2018 The Gospel of Eureka
2019 Cablestreet
2019 Days of Black and Yellow
2019 Easter Snap
2019 Ghosts of Sugar Land
2019 Libre
2019 Scenes from a Dry City
2019 Shooting the Mafia
2019 The Hour of Lynching
2019 The Proposal
2019 The Trial
2019 XY Chelsea
2020 Disclosure
2020 Do Not Split
2020 Elevator Pitch
2020 Landfall
2020 MLK/FBI
2020 The Rifleman
2020 This is an Address
2020 Utuqaq
2021 Memoria
2021 Open Shutters
2021 Red Taxi
2021 The Facility
2021 To Be Reconciled
2021 We Were There to Be There
2022 Nothing Compares
2022 Relative
2022 Riotsville, USA
2022 We Met in Virtual Reality
2023 How to Have an American Baby
2023 Madulu, the Seaman
2023 Users
2024 Everybody's Watching
2024 Milisuthando
2024 The End
Executive Producer:
2023 Burden of Proof
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.