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We Met in Virtual Reality (2022) [R]

Release Date:
March 27, 2022

Original Title:
We Met in Virtual Reality

Alternate Titles:
Poznaliśmy się w wirtualnej rzeczywistości

Genres:
Animation | Documentary

Production Companies:
Field of Vision
Painted Clouds

Production Countries:
United Kingdom | United States of America

Ratings / Certifications:
BR: 16  DK: A  NL: AL  PL: 16  PR: R  US: R 

Runtime: 91

The setting is virtual. The connections are real.

Overview from TheMovieDB

Filmed entirely inside the world of virtual reality (VR), this immersive and revealing documentary roots itself in several unique communities within VR Chat, a burgeoning virtual reality platform. Through observational scenes captured in real-time, in true documentary style, the film reveals the growing power and intimacy of several relationships formed in the virtual world, many of which began during the COVID-19 lockdown, while so many in the physical world were facing intense isolation.

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Production

Director:
Joe Hunting

Director of Photography:
Joe Hunting

Editor:
Joe Hunting

Executive Producer:
Charlotte Cook
Bryn Mooser
Kathryn Everett

Original Music Composer:
Anna Meredith
Julianna Barwick
Perfume Genius

Producer:
Joe Hunting

Writer:
Joe Hunting

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.