A work in constant progress (and occasional regress).
Birthplace:
Winnipeg, Manitoba, Canada
Born:
January 1, 1939
Cynthia Scott RCA (born January 1, 1939) is a Canadian award-winning filmmaker who has produced, directed, written, and edited several films with the National Film Board of Canada (NFB). Her works have won the Oscar and Canadian Film Award. Scott is a member of the Royal Canadian Academy of Arts. Her projects with the NFB are mainly focused on documentary filmmaking. Some of Scott's most notable documentaries for the NFB feature dancing and the dance world including Flamenco at 5:15 (1983), which won an Academy Award for Best Documentary (Short Subject) at the 56th Academy Awards in 1984.
Director:
1972 The Ungrateful Land: Roch Carrier Remembers Ste-Justine
1973 Some Natives of Churchill
1975 Scoggie
1983 Flamenco at 5:15
1985 Discussions in Bioethics: A Chronic Problem
1990 The Company of Strangers
Editor:
1972 The Ungrateful Land: Roch Carrier Remembers Ste-Justine
1973 Some Natives of Churchill
1975 Scoggie
1983 Flamenco at 5:15
1985 Discussions in Bioethics: A Chronic Problem
1990 The Company of Strangers
Producer:
1972 The Ungrateful Land: Roch Carrier Remembers Ste-Justine
1973 Some Natives of Churchill
1975 Scoggie
1978 Canada Vignettes: Holidays
1978 Canada Vignettes: The Thirties
1983 Flamenco at 5:15
1985 Discussions in Bioethics: A Chronic Problem
1990 The Company of Strangers
Writer:
1972 The Ungrateful Land: Roch Carrier Remembers Ste-Justine
1973 Some Natives of Churchill
1975 Scoggie
1978 Canada Vignettes: Holidays
1978 Canada Vignettes: The Thirties
1982 First Winter
1983 Flamenco at 5:15
1985 Discussions in Bioethics: A Chronic Problem
1990 The Company of Strangers
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.