A work in constant progress (and occasional regress).
Release Date:
October 1, 1990
Original Title:
The Company of Strangers
Alternate Titles:
Company of Strangers
Le fabuleux gang des sept
Strangers in Good Company
Genres:
Adventure | Drama
Production Companies:
First Run Features
ONF | NFB
Production Countries:
Canada
Ratings / Certifications:
CA: 14A
Runtime: 101
A busload of women become stranded in an isolated part of the Canadian countryside. As they await rescue, they reflect on their lives through a mostly ad-libbed script.
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Additional Camera:
André-Luc Dupont
Additional Gaffer:
Jacques Girard
Assistant Camera:
Richard Bujold
Assistant Director:
François Gingras
Gloria Demers
Assistant Foley Artist:
James A. Gore
Assistant Picture Editor:
Catherine Mullins
Boom Operator:
Marie-France Delagrave
Justine Pimlott
Camera Operator:
David De Volpi
Roger Martín
Color Timer:
Gudrun Klawe
Conductor:
Marie Bernard
Costume Design:
Elaine Langlais
Director:
Cynthia Scott
Director of Photography:
David De Volpi
Editor:
David Wilson
Executive Producer:
Rina Fraticelli
Colin Neale
Peter Katadotis
Foley Artist:
Andy Malcolm
Foley Recordist:
Louis Hone
In Memory Of:
Gloria Demers
Key Grip:
Jean-Maurice de Ernsted
Raynald Lavoie
Location Scout:
Michel Dandavino
Music:
Marie Bernard
Negative Cutter:
Claude Cardinal
Post Production Coordinator:
Grace Avrith
Producer:
David Wilson
Production Consultant:
John N. Smith
Denis Boucher
Researcher:
Hannele Halm
Lois Siegel
Scenic Artist:
Christiane Gagnon
Second Assistant Director:
Dawn Nichol
Sound:
Jacques Drouin
Sound Editor:
Danuta Klis
André Galbrand
Sound Re-Recording Mixer:
Hans Peter Strobl
Adrian Croll
Still Photographer:
Ron Diamond
Title Designer:
Val Teodori
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.