A work in constant progress (and occasional regress).
Alias:
Joe Schenck
Joseph Michael Schenck
Joseph Schenck
Birthplace:
Yaroslav, Russian Empire
Born:
December 25, 1876
Died:
October 22, 1961
From Wikipedia, the free encyclopedia Joseph Michael Schenck (/ˈskɛŋk/; December 25, 1876 – October 22, 1961) was a Russian-born American film studio executive. Schenck was born to a Jewish family in Rybinsk, Yaroslavl Oblast, Russia. He and his family – including younger brother Nicholas – emigrated to New York City in July 1892 under the name Ossip Schenker. Recognizing the potential, in 1909 the Schenck brothers purchased Palisades Amusement Park and afterward became participants in the fledgling motion picture industry in partnership with Marcus Loew, operating a chain of movie theaters. In 1916, through his involvement in the film business, Joseph Schenck met and married Norma Talmadge, a top young star with Vitagraph Studios. He would be the first of her three husbands, but she was his only wife. Schenck supervised, controlled and nurtured her career in alliance with her mother. In 1917 the couple formed the Norma Talmadge Film Corporation, which became a lucrative enterprise. They divorced in 1934; Schenck then built a home in Palm Springs, California. After parting ways with his brother, Joseph Schenck moved to the West Coast where the future of the film industry seemed to lie. Within a few years Schenck was made the second president of the new United Artists. In 1933 he partnered with Darryl F. Zanuck to create Twentieth Century Pictures that merged with Fox Film Corporation in 1935. As chairman of the new 20th Century Fox, he was one of the most powerful and influential people in the film business. Caught in a payoff scheme to buy peace with the militant unions, he was convicted of income tax evasion and spent time in prison before being granted a presidential pardon. Following his release, he returned to 20th Century Fox where he became infatuated with the unknown Marilyn Monroe, and played a key role in launching her career. One of the founders of the Academy of Motion Picture Arts and Sciences, in 1952 he was given a special Academy Award in recognition of his contribution to the development of the film industry. He has a star on the Hollywood Walk of Fame at 6757 Hollywood Blvd. Schenck retired in 1957 and shortly afterward suffered a stroke, from which he never fully recovered. He died in Los Angeles in 1961 at the age of 84, and was interred in Maimonides Cemetery in Brooklyn, New York.
Executive Producer:
1922 Smilin' Through
1923 The Voice from the Minaret
1924 The Navigator
1926 Battling Butler
1928 Steamboat Bill, Jr.
1928 Tempest
1930 Be Yourself!
1932 Rain
1933 Hallelujah, I'm a Bum
1934 Born to Be Bad
Presenter:
1918 Just a Woman
1919 A Temperamental Wife
1920 Neighbors
1920 One Week
1920 The Scarecrow
1921 Lessons in Love
1921 The Goat
1922 Smilin' Through
1923 The Voice from the Minaret
1923 Three Ages
1924 The Navigator
1925 Go West
1926 Battling Butler
1926 Kiki
1927 College
1928 Steamboat Bill, Jr.
1928 Tempest
1929 Alibi
1930 Be Yourself!
1932 Rain
1933 Hallelujah, I'm a Bum
1934 Born to Be Bad
1934 The Affairs of Cellini
1936 The Prisoner of Shark Island
Producer:
1917 A Country Hero
1917 A Reckless Romeo
1917 Coney Island
1917 His Wedding Night
1917 Oh, Doctor!
1917 Panthea
1917 Poppy
1917 The Butcher Boy
1917 The Law of Compensation
1917 The Moth
1917 The Rough House
1917 The Secret of the Storm Country
1918 De Luxe Annie
1918 Good Night, Nurse!
1918 Her Only Way
1918 Just a Woman
1918 Moonshine
1918 Out West
1918 The Bell Boy
1918 The Cook
1918 The Forbidden City
1918 The Ghosts of Yesterday
1919 A Temperamental Wife
1919 Back Stage
1919 The Bank Clerk
1919 The Hayseed
1919 The Heart of Wetona
1919 The Isle of Conquest
1919 The New Moon
1919 The Probation Wife
1920 A Daughter of Two Worlds
1920 Convict 13
1920 Neighbors
1920 One Week
1920 She Loves and Lies
1920 The Branded Woman
1920 The Garage
1920 The Scarecrow
1920 The Woman Gives
1921 Lessons in Love
1921 Mama's Affair
1921 The Boat
1921 The Goat
1921 The Haunted House
1921 The High Sign
1921 The Play House
1922 Cops
1922 Day Dreams
1922 My Wife's Relations
1922 Smilin' Through
1922 The Blacksmith
1922 The Electric House
1922 The Eternal Flame
1922 The Frozen North
1922 The Paleface
1923 Ashes of Vengeance
1923 Our Hospitality
1923 The Balloonatic
1923 The Dangerous Maid
1923 The Love Nest
1923 The Voice from the Minaret
1923 Three Ages
1924 Sherlock Jr.
1924 The Navigator
1925 Go West
1925 Her Sister from Paris
1925 Seven Chances
1926 Battling Butler
1926 Kiki
1926 The Duchess of Buffalo
1926 The General
1927 Camille
1927 College
1928 Steamboat Bill, Jr.
1928 Tempest
1928 The Woman Disputed
1929 Alibi
1929 Eternal Love
1929 Lady of the Pavements
1929 New York Nights
1930 Abraham Lincoln
1930 Be Yourself!
1930 Du Barry, Woman of Passion
1930 One Romantic Night
1930 The Bad One
1930 The Bat Whispers
1932 Rain
1933 Building a Building
1933 Hallelujah, I'm a Bum
1933 Mickey's Mellerdrammer
1933 Mickey's Pal Pluto
1933 The Mad Doctor
1933 Ye Olden Days
1934 Born to Be Bad
1934 The Affairs of Cellini
1934 The Last Gentleman
1935 Folies Bergère
1936 As You Like It
1936 The Prisoner of Shark Island
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.