A work in constant progress (and occasional regress).
Release Date:
December 25, 1926
Original Title:
The General
Alternate Titles:
A Glória de Pamplinas
Come vinsi la guerra
Dagens helt
De Generaal
El maquinista de la General
Generalen
Le mécano de la Générale
Генерал
Паровоз «Генерал»
将军
제네럴
Genres:
Action | Adventure | Comedy | War
Production Companies:
Buster Keaton Productions
Joseph M. Schenck Productions
Production Countries:
United States of America
Ratings / Certifications:
AT: 12 AU: G DE: 6 FR: U GB: U NL: AL PL: 12 PT: M/6 SE: 7 US: NR
Runtime: 79
During America’s Civil War, Union spies steal engineer Johnny Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.
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2000 #18 |
100 Years: 100 LAUGHS
100 Funniest American Movies Of All Time |
2007 #18 |
100 Years: 100 MOVIES — 10TH ANNIVERSARY EDITION
100 Greatest American Films Of All Time |
1972 #8 |
Critics' Top 10 Poll
Greatest Films of All Time |
1982 #10 |
Critics' Top 10 Poll
Greatest Films of All Time |
2012 #34 |
Critics' Top 100 Poll
Greatest Films of All Time |
2012 #75 |
Directors' Top 100 Poll
Greatest Films of All Time |
Adaptation:
Al Boasberg
Charles Henry Smith
Art Direction:
Fred Gabourie
Assistant Director:
Edward Hearn
Book:
William Pittenger
Camera Operator:
Elmer Ellsworth
Byron Houck
Construction Foreman:
Frank Barnes
Director:
Clyde Bruckman
Buster Keaton
Director of Photography:
Bert Haines
Devereaux Jennings
Editor:
Buster Keaton
Sherman Kell
First Assistant Camera:
Harry J. Wild
Grip:
Frank Barnes
Makeup Artist:
Fred Carlton Ryle
Producer:
Buster Keaton
Joseph M. Schenck
Production Coordinator:
Harry Brand
Production Manager:
Fred Gabourie
Screenplay:
Clyde Bruckman
Buster Keaton
Second Unit:
Glen Cavender
Set Decoration:
Harry Roselotte
Still Photographer:
Dal Clawson
Stunts:
Buster Keaton
Earl Mohan
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.