A work in constant progress (and occasional regress).
Birthplace:
St. Louis, Missouri, USA
Born:
March 11, 1978
Rob Simonsen is an American composer located in Los Angeles. Rob began playing the piano by ear at an early age. His grandmother was a voice teacher and music was around him in his family home. He later studied music at Southern Oregon University, the University of Oregon, and Portland State University. Rob's first break into film composing was through the independent feature Westender in 2003. In 2004 he teamed up with Mychael Danna and has provided additional music and arrangements on Surf's Up, Fracture, Moneyball and the Oscar-winning, Life of Pi. The two have co-composed the film (500) Days of Summer, and the television series Dollhouse, created by Joss Whedon. His work includes the Sundance Film Festival features The Way, Way Back and The Spectacular Now plus the Lionsgate feature film The Age of Adaline and most recently Love, Simon and Stargirl. In 2009, he opened his own studio, while The Hollywood Reporter named him one of the '15 Composers Primed to Take Their Place on the A List.' Simonsen's music can be heard in nearly all iPhone 5 ads -he appears as the conductor in the commercials as well. The iPhone 5 commercial titled 'Music Every Day' contains one of Simonsen's track, 'Red', which gained worldwide recognition. Early in 2018, Rob's music also appeared in Coca-Cola Super Bowl TV spot titled 'The Wonder of Us'. On September 6, 2019, Simonsen released his first 9 track solo album titled RĂªveries under Sony Masterworks record label. Description above from the Wikipedia article Rob Simonsen, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Additional Soundtrack:
2011 Moneyball
Music:
2008 How Can It Be
2011 Moneyball
2012 Brooklyn Brothers Beat the Best
2018 Poem About All Different Things
2019 In the Time It Takes to Get There
Original Music Composer:
2008 8
2008 How Can It Be
2009 (500) Days of Summer
2009 Management
2010 All Good Things
2011 Love Etc.
2011 Moneyball
2012 Brooklyn Brothers Beat the Best
2012 Girl Most Likely
2012 LOL
2012 Seeking a Friend for the End of the World
2013 The English Teacher
2013 The Spectacular Now
2013 The Way Way Back
2014 Chu and Blossom
2014 Cover Girl
2014 Foxcatcher
2014 Wish I Was Here
2015 Burnt
2015 Stonewall
2015 The Age of Adaline
2016 Miss Stevens
2016 Nerve
2016 Two Is a Family
2016 Viral
2017 Father Figures
2017 Gifted
2017 Going in Style
2017 The Only Living Boy in New York
2018 Love, Simon
2018 Poem About All Different Things
2018 The Front Runner
2018 Tully
2019 Captive State
2019 Fast Color
2019 In the Time It Takes to Get There
2019 Our Friend
2019 The House of Tomorrow
2019 The Upside
2020 Stargirl
2020 The Way Back
2021 Ghostbusters: Afterlife
2022 Hollywood Stargirl
2022 The Adam Project
2022 The Whale
2023 Good Grief
2024 Deadpool & Wolverine
2024 It Ends with Us
2025 Elio
Original Music Composer:
2013 Mistresses
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.