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It Ends with Us (2024) [PG-13]

Release Date:
August 7, 2024

Original Title:
It Ends with Us

Alternate Titles:
Colleen Hoover's It Ends With Us
Hər şey bizimlə bitəcək
Isto Acaba Aqui
با ما به پایان می‌رسد
以我们告终
以我们结束
到我們為止

Genres:
Drama | Romance

Production Companies:
Columbia Pictures
Saks Picture Company
Wayfarer Studios

Production Countries:
United States of America

Ratings / Certifications:
AU: M  BE: 16  BR: 14  CL: 14  CZ: 12+  DE: 12  ES: 12  FI: K-12  FR: 12  GB: 15  IE: 15A  IL: 14  IN: A  IT: 6+  KR: 15  LT: N-13  MX: B  NL: 16  PH: R-16  PR: PG-13  PT: M/12  RO: 12  RU: 18+  SE: 11  SG: PG13  SK: 12  TH: 13  UA: 16+  US: PG-13  VI: PG-13  ZA: 16 

Runtime: 131

We break the pattern or the pattern breaks us.

Overview from TheMovieDB

When a woman's first love suddenly reenters her life, her relationship with a charming, but abusive neurosurgeon is upended, and she realizes she must learn to rely on her own strength to make an impossible choice for her future.

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Performers

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Production

"A" Camera Operator:
Ari Robbins
David J. Thompson

"B" Camera Operator:
Sebastian Slayter
George Tur

Additional Editor:
Alan Baumgarten
Shane Reid

Art Department Coordinator:
Truman Clark McCasland

Art Direction:
Marci Mudd

Assistant Art Director:
Christine Lois

Assistant Costume Designer:
Jennifer O'Brien

Assistant Property Master:
Frances H. Smith

Assistant Set Decoration:
Sarah Fredericks
Kate Stewart

Associate Producer:
Mariela Villa

Best Boy Grip:
John Patrick Oates

Book:
Colleen Hoover

Casting:
Kristy Carlson

Chief Lighting Technician:
John Alcantara

Costume Coordinator:
Laura Grasso

Costume Design:
Eric Daman

Director:
Justin Baldoni

Director of Photography:
Barry Peterson

Dolly Grip:
Thomas 'Casey' Jirgal

Editor:
Robb Sullivan
Oona Flaherty

Electrician:
Andrew Naugle
DeLany McFate
Gennaro Morrone
Michael Mastroserio

Executive Producer:
Colleen Hoover
Steve Sarowitz
Andrea Ajemian
Andrew Calof
Todd Black
John Logan Pierson

First Assistant "A" Camera:
Evan Walsh

First Assistant "B" Camera:
Shaun Malkovich

First Assistant Director:
Julie A. Bloom
Christopher Surgent

First Assistant Editor:
Mark Perzely

Grip:
Gavin Holmes Jr.
Brian Edmiston

Hair Department Head:
Robert Lugo

Hairstylist:
Vita Viscuso
Anne Carroll

Key Grip:
Michael Yurich

Loader:
Oliver Richards
Emily O'Leary

Makeup Artist:
Vivian Baker
Melanie Licata

Makeup Department Head:
Sarah Graalman

Music Supervisor:
Season Kent

Original Music Composer:
Rob Simonsen
Duncan Blickenstaff

Post Production Supervisor:
Lisa Rodgers

Producer:
Christy Hall
Jamey Heath
Alex Saks
Blake Lively

Production Design:
Russell Barnes

Production Sound Mixer:
Michael Infante

Production Supervisor:
Jill Sacco

Property Master:
Morgan Pitts
Bridget Rafferty

Rigging Gaffer:
Ryan Rodriguez

Screenplay:
Christy Hall

Script Supervisor:
Holly Unterberger

Second Assistant "A" Camera:
Amanda Uribe

Second Assistant "B" Camera:
Charlotte Skutch
Sarah Boardman

Second Assistant Director:
Findlay Zotter
Cary Lee

Set Costumer:
Zinnia Kim
Danny Mura

Set Decoration:
Carrie Stewart
Alexandra Mazur

Set Decoration Buyer:
Walter Pluff Jr.

Special Effects Coordinator:
Drew Jiritano

Special Effects Supervisor:
Johann Kunz

Steadicam Operator:
Ari Robbins
David J. Thompson

Storyboard Artist:
Talia Spencer

Stunt Coordinator:
Lauren Shaw
Roy Farfel

Stunts:
Paige Rhea Allison
Zoe Sansanowicz
Derek Johnson
Melody Garcia
Thomas Canestraro
Peter Wallack
Bob Roseman
Paige Dubrul
Cole Mason
Charley Brucato
Salar Ghajar
Kyle Woods
Stephen Pollak

Supervising Art Director:
Annie Simeone

Truck Costumer:
Sharna Brzycki

Unit Production Manager:
Andrea Ajemian

Utility Stunts:
Michael Viola
Jason Ng

Wardrobe Supervisor:
Lauren Pivirotto

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.