A work in constant progress (and occasional regress).
Alias:
Fritz Lieber
Fritz Reuter Leiber Sr.
Birthplace:
Chicago, Illinois, USA
Born:
January 29, 1882
Died:
October 14, 1949
Fritz Reuter Leiber Sr. was an American actor. A Shakespearean actor on stage, he also had a successful career in film. He was the father of science fiction and fantasy writer Fritz Leiber Jr., who was also an actor for a time. Leiber and his wife spent much of their time touring in a Shakespearean acting company, known by the 1930s as Fritz Leiber & Co. Leiber made his film bow in 1916, playing Mercutio in the Francis X. Bushman version of “Romeo and Juliet.” With his piercing eyes and shock of white hair, Leiber seemed every inch the priests, professors, musical professors, and religious fanatics that he was frequently called upon to play in films. His many silent-era portrayals included Caesar in Theda Bara's 1917 “Cleopatra” and Solomon in the mammoth 1921 Betty Blythe vehicle “The Queen of Sheba.” He thrived as a character actor in sound films, usually in historical roles. In the film “Champagne Waltz” he portrayed an orchestra maestro; the role required him to play classical music on a violin and jazz on a clarinet. One of Leiber's larger assignments of the 1940s, and his most notable musical role, was as Franz Liszt in the Claude Rains' remake of “Phantom of the Opera” (1943). Leiber appears together with his son Fritz Leiber Jr. in the wedding-feast scene of Greta Garbo's film “Camille” (1936) and in Warner Bros.' “The Great Garrick” (1937). Leiber also appeared with his son Fritz Leiber Jr. in “The Hunchback of Notre Dame” (1939), but Fritz Leiber Jr. was not credited for his small speaking part. Late in his career, Leiber performed briefly opposite Charles Chaplin as the priest who visits Monsieur Verdoux in his prison cell.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.