A work in constant progress (and occasional regress).
Featuring:
Edward G. Robinson, Joan Bennett, Dan Duryea
Written by:
Georges de La Fouchardière
André Mouëzy-Éon
Dudley Nichols
Directed by:
Fritz Lang
Release Date:
December 25, 1945
Original Title:
Scarlet Street
Alternate Titles:
Almas Perversas
De Straat der Verleiding
De verwenschte meid
Der Narr und die Dirne
Gaden med de røde lygter
I skylla
La rue rouge
La strada scarlatta
Perversidad
Punainen katu
Vörös utca
Genres:
Crime | Drama
Production Companies:
Diana Productions
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
FI: K-16 SE: 15 US: NR
Runtime: 103
Cashier and part-time starving artist Christopher Cross is absolutely smitten with the beautiful Kitty March. Kitty plays along, but she's really only interested in Johnny, a two-bit crook. When Kitty and Johnny find out that art dealers are interested in Chris's work, they con him into letting Kitty take credit for the paintings. Cross allows it because he is in love with Kitty, but his love will only let her get away with so much.
A man in mid-life crisis befriends a young woman, though her fiancé persuades her to con him out of the fortune they mistakenly assume he possesses.
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Art Direction:
Alexander Golitzen
Assistant Director:
Melville Shyer
Costume Designer:
Travis Banton
Director:
Fritz Lang
Director of Photography:
Milton Krasner
Editor:
Arthur Hilton
Executive Producer:
Walter Wanger
Hairstylist:
Carmen Dirigo
Makeup Artist:
Jack Pierce
Novel:
Georges de La Fouchardière
Original Music Composer:
Hans J. Salter
Producer:
Fritz Lang
Screenplay:
Dudley Nichols
Set Decoration:
Russell A. Gausman
Carl Lawrence
Sound:
Glenn E. Anderson
Sound Director:
Bernard B. Brown
Theatre Play:
André Mouézy-Éon
Visual Effects:
John P. Fulton
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.