A work in constant progress (and occasional regress).
Alias:
Mark Alan Ruffalo
Μαρκ Ράφαλο
מארק רפאלו
مارك رافالو
مارک رافلو
มาร์ก แอลัน รัฟฟาโล
マーク・ラファロ
馬克·盧法洛
马克·鲁法洛
마크 러펄로
Birthplace:
Kenosha, Wisconsin, USA
Born:
November 22, 1967
Mark Alan Ruffalo (born November 22, 1967) is an American actor and producer. He began acting in the early 1990s and first gained recognition for his work in Kenneth Lonergan's play This Is Our Youth (1998) and drama film You Can Count on Me (2000). He went on to star in the romantic comedies 13 Going on 30 (2004) and Just like Heaven (2005) and the thrillers In the Cut (2003), Zodiac (2007) and Shutter Island (2010). He received a Tony Award nomination for his supporting role in the Broadway revival of Awake and Sing! in 2006. Ruffalo gained international recognition for playing Bruce Banner / Hulk in superhero films set in the Marvel Cinematic Universe, including The Avengers (2012), Avengers: Infinity War (2018), and Avengers: Endgame (2019). Ruffalo gained nominations for the Academy Award for Best Supporting Actor for playing a sperm-donor in the comedy-drama The Kids Are All Right (2010), Dave Schultz in the biopic Foxcatcher (2014), and Michael Rezendes in the drama Spotlight (2015). He won the Screen Actors Guild Award for Best Actor in a TV Movie for playing a gay writer and activist in the television drama film The Normal Heart (2015), and the Primetime Emmy Award for Outstanding Lead Actor in a Limited Series or Movie for his dual role as identical twins in the miniseries I Know This Much Is True (2020). Ruffalo is one of the few performers to receive all four EGOT nominations.
Co-Executive Producer:
2014 The Normal Heart
Co-Producer:
1996 The Destiny of Marty Fine
2014 The Normal Heart
Director:
1996 The Destiny of Marty Fine
2010 Sympathy for Delicious
2014 The Normal Heart
Executive Producer:
1996 The Destiny of Marty Fine
2004 We Don't Live Here Anymore
2010 Sympathy for Delicious
2014 Infinitely Polar Bear
2014 The Normal Heart
2016 Dear President Obama
2018 Anything
2022 Lakota Nation vs. United States
Producer:
1996 The Destiny of Marty Fine
2004 We Don't Live Here Anymore
2010 Sympathy for Delicious
2014 Infinitely Polar Bear
2014 The Normal Heart
2016 Dear President Obama
2018 Anything
2019 Dark Waters
2022 Lakota Nation vs. United States
Story:
1996 The Destiny of Marty Fine
2004 We Don't Live Here Anymore
2010 Sympathy for Delicious
2014 Infinitely Polar Bear
2014 The Normal Heart
2016 Dear President Obama
2018 Anything
2019 Dark Waters
2022 Lakota Nation vs. United States
Writer:
1996 The Destiny of Marty Fine
2004 We Don't Live Here Anymore
2010 Sympathy for Delicious
2014 Infinitely Polar Bear
2014 The Normal Heart
2016 Dear President Obama
2018 Anything
2019 Dark Waters
2022 Lakota Nation vs. United States
Executive Producer:
2020 I Know This Much Is True
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Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.