A work in constant progress (and occasional regress).
Release Date:
August 28, 1998
Original Title:
54
Alternate Titles:
54 (Studio 54)
Genres:
Drama | Music
Production Companies:
Dollface
FilmColony
Miramax
Redeemable Features
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 18 CZ: 15+ DE: 12 FR: 12 GB: 15 MX: C NL: 12 US: R
Runtime: 94
Shane O'Shea, a Jersey boy with big dreams, crosses the river in hopes of finding another, more exciting life at Studio 54. When Steve Rubell, the mastermind behind the infamous disco plucks Shane from the sea of faces clamoring to get inside his club, Shane not only gets his foot in the door, but lands a coveted job behind the bar - and a front-row ticket to the most legendary party on the planet.
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Art Direction:
Tamara Deverell
Associate Producer:
Jonathan King
Casting:
Billy Hopkins
Kerry Barden
Suzanne Smith Crowley
Costume Design:
Ellen Lutter
Director:
Mark Christopher
Director of Photography:
Alexander Gruszynski
Editor:
Lee Percy
Executive Producer:
Harvey Weinstein
Bob Weinstein
Don Carmody
Bobby Cohen
Hairstylist:
Judi Cooper-Sealy
Line Producer:
Margot Lulick
Makeup Artist:
Patricia Green
Music Editor:
Sienna Finklea
Chris McGeary
Nic Ratner
John Finklea
Music Supervisor:
Coati Mundi
Susan Jacobs
Original Music Composer:
Marco Beltrami
Producer:
Dolly Hall
Ira Deutchman
Richard N. Gladstein
Production Design:
Kevin Thompson
Script Supervisor:
Patricia Green
Set Decoration:
Karin Wiesel
Sound Effects Editor:
Kyrsten Mate
David C. Hughes
E. Larry Oatfield
Al Nelson
Sound Re-Recording Mixer:
Gary Rizzo
Michael Semanick
Tony Sereno
Tom Myers
Lora Hirschberg
Steadicam Operator:
Peter Rosenfeld
Andris Matiss
Sean Jensen
Still Photographer:
Kerry Hayes
Stunt Coordinator:
Brian Smyj
Supervising Sound Editor:
Tom Bellfort
Robert Shoup
Title Designer:
Dan Perri
Writer:
Mark Christopher
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.