A work in constant progress (and occasional regress).
Born:
June 23, 1976
Music:
2015 Babysitting 2
2017 Finding Momo
2018 Aladdin 2
2018 Break
2019 A Very Bad Friend
2019 City Hunter
2022 Caroline Vigneaux croque la pomme
2023 3 Days Max
2024 Neuilly-Poissy
Original Music Composer:
2012 Paris Under Watch
2014 Babysitting
2014 Benedict Ironbreaker: The Red Taxis
2015 Babysitting 2
2015 The New Adventures of Aladdin
2016 Full Speed
2017 Alibi.com
2017 Finding Momo
2018 Aladdin 2
2018 Break
2018 Family Is Family
2018 Gad Elmaleh: American Dream
2019 A Very Bad Friend
2019 City Hunter
2020 A Friendly Tale...
2021 Do You Do You Saint-Tropez
2021 Kids Are Back
2021 Operation Portugal
2022 Caroline Vigneaux croque la pomme
2022 Employee of the Month
2022 Men on the Verge of a Nervous Breakdown
2023 3 Days Max
2024 L’Heureuse élue
2024 Neuilly-Poissy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.