A work in constant progress (and occasional regress).
Release Date:
March 12, 2025
Original Title:
Délocalisés
Genres:
Comedy
Production Companies:
Quad Productions
StudioCanal
TF1 Films Production
Production Countries:
France
Ratings / Certifications:
N/A
The day Redouane is going to get his promotion and finally become a foreman, he learns that the mattress factory where he works is being relocated to India. Determined to keep his promotion, he agrees to leave while having the guarantee of being paid double and takes his partner Marguerite with him. Once there, he discovers that his boss has duped him, he will indeed be paid double but in rupees. Furious, he decides to take revenge by teaching the teams the best of French social rights: strikes, demonstrations and RTT with the sole aim of overthrowing his boss. Between culture clash and social struggle, Redouane leads an unexpected revolution that could well change the destiny of the factory... and his own.
Assistant Editor:
Magali Magnan
Boom Operator:
Thomas François
Shashi Kasare
Co-Writer:
Ali Bougheraba
Colorist:
Fabien Napoli
Digital Compositor:
Julien Granger
Director:
Ali Bougheraba
Redouane Bougheraba
First Assistant Camera:
Aurélie Blin
Jain Vishhal
First Assistant Director:
Nicolas Guy
Foley Artist:
Vincent Milner
Graphic Designer:
Judith Herbeth
Hairstylist:
Jennifer Levacher
Elise Ollivier Wong
Julien Raevesteyn
Key Grip:
Renaud Fidon
Makeup Artist:
Anne-Lise Bayard
Makeup Designer:
Sophie Farsat
Music:
Maxime Desprez
Michaël Tordjman
Music Supervisor:
Astrid Gomez-Montoya
Rebecca Delannet
Production Design:
Namra Parikh
Screenplay:
Germain Blot
Cédric Dosne
Redouane Bougheraba
Second Assistant Camera:
Émile Cadiergue
Second Assistant Director:
Justine Arrestier
Amrith Nambiar
Prerana Poddar
Set Dresser:
Céline Mini
Sound:
Thomas Lachesnais
Third Assistant Director:
Suvendu Dhauri
Unit Production Manager:
Ignazio Giovacchini
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.