A work in constant progress (and occasional regress).
Birthplace:
Berlin, Germany
Born:
January 1, 1969
Börres Weiffenbach, born in 1969, studied cinematography at the Konrad Wolf University of Film and Television in Potsdam. In 2002, while still a student, he won the Adolf Grimme Award for an outstanding debut for his cinematography in OTZENRATHER SPRUNG (dir. Jens Schanze). Further successes include, for example, CHILDREN. AS TIME FLIES (dir. Thomas Heise), which won the Silver Dove at DOK Leipzig, and MASTER OF THE UNIVERSE (dir. Marc Bauder), which won the Jury Prize at Locarno International Film Festival and the European Film Award.
Cinematography:
2008 Kinder. Wie die Zeit vergeht.
2009 Material
2012 Far End of the Milky Way
2016 The Audition
2018 Scala Adieu - Von Windeln verweht
2018 Sympathisanten - Unser deutscher Herbst
2018 trustWHO
Director of Photography:
2001 Waste Land
2006 Der Kommunist
2006 Last to Know
2007 Otzenrath 3° kälter
2008 Kinder. Wie die Zeit vergeht.
2009 Material
2010 Nach der Revolution
2010 Träume der Lausitz
2012 Far End of the Milky Way
2015 Grenzpunkt Beton
2015 La Buena Vida - The Good Life
2016 Dead Man Working
2016 Overgames
2016 The Audition
2018 Scala Adieu - Von Windeln verweht
2018 Searching for Ingmar Bergman
2018 Sympathisanten - Unser deutscher Herbst
2018 trustWHO
2019 The Golan Swimmingpool
2020 Body of Truth
2021 Behind the Headlines
2021 Who We Were
2024 Ein Traum von Revolution
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.