A work in constant progress (and occasional regress).
Featuring:
Ulrike Duinmeyer-Bolik, Keith Baverstock, Douglas Bettcher
Written by:
Robert Cibis
Lilian Franck
Anja Nerall
Directed by:
Lilian Franck, Thomas Schlottmann
Release Date:
March 1, 2018
Original Title:
trustWHO
Alternate Titles:
L'OMS, un grand corps malade?
OMS: Na Mão dos Doadores
Trust WHO
TrustWho
WHO: Am Tropf der Geldgeber
Genres:
Documentary
Production Companies:
ARTE
Golden Girls Filmproduktion
ORF
OVALmedia
ZDF
Production Countries:
Austria | France | Germany | Japan | Switzerland
Ratings / Certifications:
AT: 12 CH: 12
Runtime: 85
Is the WHO sick? The filmmaker and mother Lilian Franck reveals clandestine influences by the tobacco, pharmaceutical and nuclear industries on the organization. She shows a frightening portrayal of our present society, in which governmental politics is becoming obsolete. "Of all the forms of inequality, injustice in health care is the most shocking and inhumane." - Martin Luther King
Is the WHO sick? The filmmaker and mother Lilian Franck reveals clandestine influences by the tobacco, pharmaceutical and nuclear industries on the organization. She shows a frightening portrayal of our present society, in which governmental politics is becoming obsolete.
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Additional Camera:
Takeshi Fukushima
Jonas Niemann
Additional Editor:
Elke Groen
Ayellet Beck
Cinematography:
Francesco Garbo
Börres Weiffenbach
Joanna Piechotta
Philipp Künzli
Robert Cibis
Thomas Schlottmann
Co-Producer:
Arash T. Riahi
Karin C. Berger
Co-Writer:
Anja Neraal
Robert Cibis
Director:
Lilian Franck
Editor:
Anja Neraal
Original Music Composer:
Matthias Petsche
Post Production Supervisor:
Thomas Schlottmann
Producer:
Robert Cibis
Lilian Franck
Sound:
Jonas Niemann
Garip Oezdem
Takeshi Fukushima
Francesco Garbo
Frederik Felkner
Robert Cibis
Sound Re-Recording Mixer:
Bernhard Zorzi
Bernd Dormayer
Writer:
Lilian Franck
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.