A work in constant progress (and occasional regress).
Alias:
Las Cleopatras
Paty Rivadeneira
Birthplace:
Santiago, Chile
Born:
August 6, 1964
Patricia Rivadeneira Ruiz-Tagle, born on August 6, 1964, in Santiago, Chile, is a distinguished actress and cultural manager with a career spanning over three decades in theater, film, and television. She began her television career in 1986 with the series "Secreto de familia," portraying Soledad Barca. Throughout the 1990s, Rivadeneira became a prominent figure in Chilean telenovelas, with notable roles in "Trampas y caretas" (1992) as Ana Rosa Astudillo, "Sucupira" (1996) as Regina Lineros, and "Aquelarre" (1999) as Rodolfa Patiño. In cinema, she collaborated with acclaimed Chilean directors, including Raúl Ruiz in "The Wandering Soap Opera" (1993) and Miguel Littín in "Cinco marineros y un ataúd verde" (2000). Beyond acting, Rivadeneira has been active in cultural management. Between 2001 and 2006, she served as Chile's Cultural Attaché in Italy under President Ricardo Lagos Escobar. Subsequently, from 2007 to 2011, she was the Cultural Director at the Italo-Latin American Institute (IILA) in Rome. In recognition of her efforts in promoting cultural ties between Chile and Italy, she was honored with the Order of the Star of Italy. In recent years, Rivadeneira returned to Chilean television, appearing in series such as "Perdona nuestros pecados" (2017–2018) as Estela Undurraga, "Juegos de poder" (2019) as Verónica Egaña, and "Demente" (2021) as Flavia Betancourt. Additionally, she co-founded Escenix, a digital platform dedicated to streaming Chilean theater productions. Rivadeneira's multifaceted career and dedication to the arts have solidified her status as a significant figure in Chilean culture.
Executive Producer:
2022 Vicente Ruiz: A tiempo real
Associate Producer:
2022 Los Prisioneros
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.