Gianni Zampagni

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Alias:
Gianni Zampagna
Giovanni Zampagni

Additional information:

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Boom Operator:
1968  Theorem
1969  Alibi
1972  Jus primae noctis
1976  A Special Cop in Action
1977  Black Journal
1977  California
1977  The Seagull
1978  The Son of the Sheik
1979  Hypochondriac
1979  Velvet Hands
1980  Catherine and I

Sound:
1968  Theorem
1969  Alibi
1972  Jus primae noctis
1976  A Special Cop in Action
1977  Black Journal
1977  California
1977  The Seagull
1978  The Son of the Sheik
1979  Hypochondriac
1979  Velvet Hands
1980  Catherine and I
1980  Macabre
1980  Speed Cross
1984  A Boy and a Girl
1986  Il ragazzo del Pony Express
1987  Soldati - 365 all'alba
1987  Sweets from a Stranger
1988  Appuntamento a Liverpool
1988  L'uscita
1995  Who Killed Pasolini?
1997  Altri uomini
1998  Donne in bianco

Sound Director:
1968  Theorem
1969  Alibi
1972  Jus primae noctis
1976  A Special Cop in Action
1977  Black Journal
1977  California
1977  The Seagull
1978  The Son of the Sheik
1979  Hypochondriac
1979  Velvet Hands
1980  Catherine and I
1980  Macabre
1980  Speed Cross
1984  A Boy and a Girl
1986  Il ragazzo del Pony Express
1987  Soldati - 365 all'alba
1987  Sweets from a Stranger
1988  Appuntamento a Liverpool
1988  L'uscita
1993  La Ribelle
1995  Who Killed Pasolini?
1997  Altri uomini
1998  Donne in bianco

Sound Engineer:
1968  Theorem
1969  Alibi
1972  It Can Be Done Amigo
1972  Jus primae noctis
1976  A Special Cop in Action
1977  Black Journal
1977  California
1977  The Seagull
1978  The Son of the Sheik
1979  Hypochondriac
1979  Velvet Hands
1980  Catherine and I
1980  Macabre
1980  Speed Cross
1984  A Boy and a Girl
1986  Il ragazzo del Pony Express
1987  Soldati - 365 all'alba
1987  Sweets from a Stranger
1988  Appuntamento a Liverpool
1988  L'uscita
1993  La Ribelle
1995  Who Killed Pasolini?
1997  Altri uomini
1998  Donne in bianco

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.