A work in constant progress (and occasional regress).
Alias:
Gianni Zampagna
Giovanni Zampagni
Boom Operator:
1968 Theorem
1969 Alibi
1972 Jus primae noctis
1976 A Special Cop in Action
1977 Black Journal
1977 California
1977 The Seagull
1978 The Son of the Sheik
1979 Hypochondriac
1979 Velvet Hands
1980 Catherine and I
Sound:
1968 Theorem
1969 Alibi
1972 Jus primae noctis
1976 A Special Cop in Action
1977 Black Journal
1977 California
1977 The Seagull
1978 The Son of the Sheik
1979 Hypochondriac
1979 Velvet Hands
1980 Catherine and I
1980 Macabre
1980 Speed Cross
1984 A Boy and a Girl
1986 Il ragazzo del Pony Express
1987 Soldati - 365 all'alba
1987 Sweets from a Stranger
1988 Appuntamento a Liverpool
1988 L'uscita
1995 Who Killed Pasolini?
1997 Altri uomini
1998 Donne in bianco
Sound Director:
1968 Theorem
1969 Alibi
1972 Jus primae noctis
1976 A Special Cop in Action
1977 Black Journal
1977 California
1977 The Seagull
1978 The Son of the Sheik
1979 Hypochondriac
1979 Velvet Hands
1980 Catherine and I
1980 Macabre
1980 Speed Cross
1984 A Boy and a Girl
1986 Il ragazzo del Pony Express
1987 Soldati - 365 all'alba
1987 Sweets from a Stranger
1988 Appuntamento a Liverpool
1988 L'uscita
1993 La Ribelle
1995 Who Killed Pasolini?
1997 Altri uomini
1998 Donne in bianco
Sound Engineer:
1968 Theorem
1969 Alibi
1972 It Can Be Done Amigo
1972 Jus primae noctis
1976 A Special Cop in Action
1977 Black Journal
1977 California
1977 The Seagull
1978 The Son of the Sheik
1979 Hypochondriac
1979 Velvet Hands
1980 Catherine and I
1980 Macabre
1980 Speed Cross
1984 A Boy and a Girl
1986 Il ragazzo del Pony Express
1987 Soldati - 365 all'alba
1987 Sweets from a Stranger
1988 Appuntamento a Liverpool
1988 L'uscita
1993 La Ribelle
1995 Who Killed Pasolini?
1997 Altri uomini
1998 Donne in bianco
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.