A work in constant progress (and occasional regress).
Release Date:
December 19, 1980
Original Title:
Io e Caterina
Genres:
Comedy | Science Fiction
Production Companies:
Carthago Films
Italian International Film
RAI
Production Countries:
France | Italy
Ratings / Certifications:
IT: T
Runtime: 105
Enrico Melotti, a middle-aged businessman, has a difficult relationship with his wife, maid and secretary/lover. During a business trip to America, his friend Arturo shows him the key to solving all of his problems: Caterina, a female-looking robotic maid that does all domestic chores better than any human.
Accountant:
Anna Maria Novelli
Administration:
Sergio Giussani
Assistant Camera:
Stefano Ricciotti
Enrico Maggi
Assistant Editor:
Alessandro Gabriele
Armando Pace
Assistant Production Design:
Giuseppe Pirrotta
Boom Operator:
Gianni Zampagni
Camera Operator:
Enrico Lucidi
Co-Producer:
Tarak Ben Ammar
Costume Design:
Bruna Parmesan
Director:
Alberto Sordi
Director of Photography:
Sergio D'Offizi
Editor:
Tatiana Casini Morigi
Executive Producer:
Raimondo Castelli
Gianni Hecht Lucari
First Assistant Director:
Fulvio Marcolin
Foley Artist:
Alvaro Gramigna
Fernando Caso
Gaffer:
Enrico D'Offizi
Hairstylist:
Giancarlo De Leonardis
Key Grip:
Sergio Serantoni
Line Producer:
Piero Lazzari
Makeup Artist:
Franco Rufini
Original Music Composer:
Piero Piccioni
Producer:
Fulvio Lucisano
Production Design:
Lorenzo Baraldi
Production Secretary:
Roberto Romoli
Giancarlo Montesano
Property Master:
Dante Lazzari
Screenplay:
Alberto Sordi
Rodolfo Sonego
Script Supervisor:
Lucilla Clementelli
Seamstress:
Lucia Baldacci
Lamberta Baldacci
Sound:
Rocco Roy Mangano
Sound Mixer:
Alberto Doni
Special Effects:
Giovanni Corridori
Germano Natali
Still Photographer:
Enrico Appetito
Story:
Rodolfo Sonego
Unit Manager:
Michele Germano
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.