A work in constant progress (and occasional regress).
Release Date:
February 8, 2001
Original Title:
Hannibal
Alternate Titles:
El silencio de los corderos Hannibal
The Silence of the Lambs 2
沉默的羔羊2
한니발
Genres:
Crime | Drama | Thriller
Production Companies:
Metro-Goldwyn-Mayer
Scott Free Productions
The De Laurentiis Company
Universal Pictures
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AR: +16 AT: 16 AU: MA15+ BE: 18 BR: 16 CA: R CH: 18 CL: 18 CZ: 18+ DE: 18 DK: 15 ES: 18 FI: K-18 FR: 12|18 GB: 18 GR: K18 HK: III HU: 18 IE: 18 IL: 18 IN: A IT: T JP: R15+ KR: 18 MX: C MY: 18SG NL: 16 NO: 18 NZ: R18 PH: R-18 PL: 18 PT: M/16 RO: 18+ RU: 18+ SE: 15 SG: M18 TH: 18 TR: 18+ TW: 18+ US: R ZA: 16
Runtime: 131
After having successfully eluded the authorities for years, Hannibal peacefully lives in Italy in disguise as an art scholar. Trouble strikes again when he's discovered leaving a deserving few dead in the process. He returns to America to make contact with now disgraced Agent Clarice Starling, who is suffering the wrath of a malicious FBI rival as well as the media.
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ADR Editor:
Michelle Pazer
Additional Camera:
Daniele Massaccesi
Art Department Coordinator:
Susan Maye
Art Direction:
David Crank
Assistant Art Director:
Halina Gebarowicz
Doug Huszti
Boom Operator:
O.J. Connell III
Andrew Schmetterling
CG Supervisor:
Laurent Hugueniot
Camera Operator:
David M. Dunlap
Casting:
Louis DiGiaimo
Construction Coordinator:
Richard Blankenship
Costume Design:
Janty Yates
Costume Supervisor:
Dan Bronson
Dialogue Editor:
David A. Cohen
Lauren Stephens
Chris Hogan
Director:
Ridley Scott
Director of Photography:
John Mathieson
Editor:
Pietro Scalia
Executive Producer:
Branko Lustig
First Assistant Editor:
Chisako Yokoyama
Foley:
John T. Cucci
Dan O'Connell
Foley Editor:
Peter Staubli
Paul Jyrälä
Philip A. Hess
Gaffer:
Alberico Novelli
Bill O'Leary
Hairstylist:
Barbara De Leonardis
Aaron F. Quarles
Elisabetta De Leonardis
Makeup Artist:
Alessandra Sampaolo
Makeup Department Head:
Fabrizio Sforza
Music Editor:
Vicki Hiatt
Marc Streitenfeld
Novel:
Thomas Harris
Original Music Composer:
Hans Zimmer
Picture Car Coordinator:
Mike Barbour
Producer:
Martha De Laurentiis
Dino De Laurentiis
Ridley Scott
Production Design:
Norris Spencer
Production Sound Mixer:
Danny Michael
Property Master:
Douglas T. Madison
Rigging Gaffer:
Richie Ford
Screenplay:
David Mamet
Steven Zaillian
Script Supervisor:
Luca Kouimelis
Second Unit Director:
Alexander Witt
Second Unit Director of Photography:
Alexander Witt
Set Costumer:
Marci R. Johnson
Linda M. Boyland
Catharine Fletcher Incaprera
Set Decoration:
Crispian Sallis
Sound Effects Editor:
Jon Title
Christopher Assells
Scott Sanders
Dan Hegeman
Dino DiMuro
Sound Re-Recording Mixer:
Doug Hemphill
Paul Massey
Sound Recordist:
Tim McColm
Tim Gomillion
Dennis Rogers
Steadicam Operator:
Klemens Becker
Still Photographer:
Phil Bray
Stunt Coordinator:
Phil Neilson
Stunts:
Brian Smyj
Cinda-Lin James
Jalil Jay Lynch
James M. Churchman
Cort Hessler
David S. Lomax
Kym Washington Longino
Stephen A. Pope
Mick O'Rourke
Chuck Jeffreys
Douglas Crosby
Cynthia Neilson
Lonnie R. Smith Jr.
Derrick Simmons
Supervising ADR Editor:
Jessica Gallavan
Supervising Art Director:
Pier Luigi Basile
Supervising Sound Editor:
Karen Baker Landers
Per Hallberg
Transportation Coordinator:
Bob Foster
Unit Publicist:
Rob Harris
Visual Effects Editor:
Nicholas Atkinson
Visual Effects Producer:
Emma Norton
Visual Effects Supervisor:
Tim Burke
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.