A work in constant progress (and occasional regress).
Release Date:
September 29, 1997
Original Title:
Kiss the Girls
Alternate Titles:
A gyűjtő
Besos que matan
El coleccionista de amantes
Kolekcjoner
Le collectionneur
Samleren
Целуй девочек
Целуя девушек
אלכס קרוס: חתום בנשיקה
… denn zum Küssen sind sie da
惊唇劫
桃色追捕令
Genres:
Crime | Drama | Mystery | Thriller
Production Companies:
David Brown Productions
Paramount Pictures
Rysher Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AT: 16 AU: MA15+ CZ: 12+ DE: 16 ES: 18 FR: 12 GB: 18 IE: 18 JP: R18+ KR: 19 NL: 16 NO: 18 SK: 15 US: R
Runtime: 115
Forensic psychologist and detective Alex Cross travels to North Carolina and teams with escaped kidnap victim Kate McTiernan to hunt down "Casanova," a serial killer who abducts strong-willed women and forces them to submit to his demands. The trail leads to Los Angeles, where the duo discovers that the psychopath may not be working alone.
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"B" Camera Operator:
Andrew Casey
ADR Editor:
Darrell Hanzalik
ADR Mixer:
Bob Baron
ADR Voice Casting:
Barbara Harris
Actor's Assistant:
Quentin Pierre
Corey Gray
Brian Regalot
Trina Mitchum
Additional Editor:
Armen Minasian
Aerial Camera:
Rexford L. Metz
Aerial Camera Technician:
Scott Johnson
Aerial Coordinator:
Steve Hand
Art Department Coordinator:
Brian Bird
Art Direction:
Joseph Hodges
Burton Rencher
Assistant Accountant:
John Rash
Carmen C. Avila
Steven M. Boyd
Denise Mora
Assistant Chief Lighting Technician:
Simone Perusse
Patric J. Abaravich
Assistant Editor:
Joe Mosca
Christopher S. Capp
Debra L. Tennant
Assistant Production Coordinator:
Judd Nissen
Diane Ward
Assistant Property Master:
Rick Bioni
Assistant Sound Editor:
Spike Allison Hooper
Bill Ward
Paul O'Bryan
Boom Operator:
Nicholas R. Allen
Cableman:
Thomas A. Payne
Camera Loader:
Sumi Yang
Camera Operator:
David Boyd
Alec Hirschfeld
Casting:
Jane Shannon-Smith
Deborah Aquila
Casting Assistant:
Dayna Polehanki
Casting Associate:
Alex Rosenberg
Chief Lighting Technician:
Dwight Campbell
Keith Pickett
Clearances Coordinator:
Eileen A. O'Donnell
Co-Producer:
Steve Wizan
Color Timer:
Phil Hetos
Conceptual Design:
Taishiro Kiya
David Dupuis
Conductor:
Ken Kugler
Construction Coordinator:
Douglas Womack
Peter Battistelli
Construction Foreman:
Randlett King Lawrence
Costume Designer:
Abigail Murray
Costume Supervisor:
Paul H. Lopez
Valerie Zielonka
Craft Service:
Michael D. Starks
Derek Hurd
Reva Grantham
Dialogue Editor:
Kerry Dean Williams
Director:
Gary Fleder
Director of Photography:
Aaron Schneider
Dolly Grip:
Darrell B. Sheldon
Dietmar Wendelin
Editor:
Harvey Rosenstock
William Steinkamp
Electrician:
Scott Toland
Michael Lyon
Executive Producer:
C.O. Erickson
First Assistant Accountant:
David M. Rodriguez
First Assistant Camera:
Terry Pfrang
Tom Ryan
Marc Hirschfeld
First Assistant Director:
Michael Zimbrich
First Assistant Editor:
Tony Ciccone
First Company Grip:
Kevin Wadowski
David Noble
Foley Artist:
David Lee Fein
Ken Dufva
Sarah Monat
Robin Harlan
Foley Editor:
Scott Curtis
Tammy Fearing
Foley Mixer:
Randy K. Singer
Greensman:
Jeff Brown
Geoffrey Cormier
Grip:
Mark Volpe
Walter 'T.J.' Johnson
Hair Department Head:
Frances Mathias
Hairstylist:
Doug Kirkpatrick
Leadman:
Jim LaBarge
Stewart 'Polar Bear' Shaw
Location Manager:
James McCabe
Vick Griffin
Makeup Artist:
Ben Nye Jr.
Jeffrey Hamilton
Music Editor:
Tom Carlson
Dick Bernstein
Music Supervisor:
Peter Afterman
Negative Cutter:
Theresa Repola Mohammed
Novel:
James Patterson
Orchestrator:
Ken Kugler
Original Music Composer:
Mark Isham
Producer:
Joe Wizan
David Brown
Producer's Assistant:
Jennifer Kunishima
Doris Wood
Production Accountant:
Louis Phillips
Production Assistant:
Michael G. Jefferson
Rick Kelly
Gian Temperilli
Robert Colicci
Patrick Guzzo
Keith Popely
Kyle Kaufman
Burton L. Warner
Ray Blanchard
Kevin M. Jackson
Michael Triandafils
Brad Sykes
Susan K. Hoover
Kurt Zelnak
David Curtis
Kelly King
Leigh Bragassa
Production Coordinator:
Cindy Hochman
Sean Taylor
Production Design:
Nelson Coates
Production Secretary:
Steve Aaron Schultz
Property Master:
Barry Franenberg
Props:
Alex L. Ferguson
Rigging Gaffer:
R. Adam Chambers
Scoring Mixer:
Stephen Krause
Screenplay:
David Klass
Script Supervisor:
Elizabeth Ludwick-Bax
Second Assistant Camera:
Harry Zimmerman
Bo Webb
Daniel Galiardi
Second Assistant Director:
Trey Batchelor
Second Company Grip:
Richard Kuhn
Ben Noble
Second Second Assistant Director:
Nancy Blewer
Second Unit Director:
Rick Bota
Chuck Picerni Jr.
Second Unit Director of Photography:
Rick Bota
Rexford L. Metz
Second Unit First Assistant Director:
Michael Kahn
Set Costumer:
Jennifer Day Young
Alan Martin
Set Decoration:
Linda Lee Sutton
Set Dresser:
James Harper
R.A. Tony Poland
Paul Penley
Eric Troop
Rick Chinelli
Lisa Goldsmith
Tracy Morris Johnson
Sound Editor:
Michael J. Benavente
John Dunn
Jeff Clark
David B. Cohn
Sound Effects Editor:
Susan Kurtz
Sound Mixer:
Lee Orloff
Sound Re-Recording Mixer:
Rick Ash
Gary Alexander
Special Effects Coordinator:
John Peyser
Mike Schorr
Special Effects Makeup Artist:
Leonard MacDonald
Steadicam Operator:
Bill Brummond
Still Photographer:
Kimberly Wright
Stunt Coordinator:
Chuck Picerni Jr.
Stunt Double:
Sandy Berumen
Jophery C. Brown
Stunts:
Erik Rondell
Tabby Hanson
Rick Avery
Cliff McLaughlin
Tony Donno
Norman Howell
Jennifer Watson-Johnston
Jimmy N. Roberts
Rick Picerni
Supervising ADR Editor:
Renée Tondelli
Supervising Dialogue Editor:
David Williams
Supervising Sound Editor:
David Bartlett
Technical Advisor:
Park Dietz
Title Designer:
Jonathan Silver
Transportation Captain:
Gary Paulsen
Transportation Coordinator:
Howard B. Davidson
Unit Production Manager:
C.O. Erickson
Unit Publicist:
Robert A. Levine
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.