A work in constant progress (and occasional regress).
Release Date:
December 5, 1993
Original Title:
Love, Cheat & Steal
Genres:
Drama | TV Movie | Thriller
Production Companies:
Motion Picture Corporation of America
Showtime
Showtime Networks
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 96
Paul Harrington thinks he has the perfect wife... stunning, kind, and ambitious. Yet behind Lauren's pretty face lies a wicked person who sent her former boyfriend to jail by setting him up. Reno Adams has lost seven years of his life in Jail and wants revenge. After escaping, he tracks Lauren down and intends to make her and her husband's life a living hell.
"B" Camera Operator:
Luc G. Nicknair
ADR Editor:
Tim Kirk
Brett Solomon
ADR Recordist:
Richard Aronson
Will Rogers
Additional Editing:
John Lafferty
Monte Hellman
Additional First Assistant Camera:
Alicia Craft
Evan A. Nesbitt
Art Department Coordinator:
Doug Morton
Art Direction:
David Lazan
Assistant Art Director:
Maria C. Connors
Assistant Editor:
Pam Sharp
Assistant Production Coordinator:
Kristy Carlson
Assistant Property Master:
Paul Postal
Assistant Set Decoration:
Carla Weber
Carolyn Rodney
Best Boy Electric:
D. Michael Dahlquist
Best Boy Grip:
George Steward
Boom Operator:
John LaPage
Camera Loader:
Tom Jordan
Casting:
Robyn Ray
Ed Mitchell
Casting Assistant:
Jennifer Sloan
Co-Producer:
Chad Oman
Construction Coordinator:
Jim McDonald
Costume Design:
Dorothy Amos
Costumer:
Lauren Beck
Craft Service:
Peter Popp
Dialogue Editor:
Tim Kirk
Brett Solomon
Director:
William Curran
Director of Photography:
Kent L. Wakeford
Dolly Grip:
John Priebe
Editor:
Carole Kravetz Aykanian
Electrician:
Curtis Failor
Sean T. Hannan
Executive In Charge Of Production:
Steven Hewitt
Extras Casting:
Mike Johnson
Fight Choreographer:
Chuck Zito
First Assistant Camera:
Eric Trageser
First Assistant Director:
Roger La Page
Scott Cameron
Foley Recordist:
Peggy McAffee
Gaffer:
Mark E. Trembath
Grip:
Nicholas K. Nicholsky III
Greg Hewett
Key Grip:
John A. Strubbe
Key Hair Stylist:
Peggy Hannaman
Key Makeup Artist:
Ann Pala
Leadman:
Ryan Wilson
Line Producer:
Tracie Graham-Rice
Location Assistant:
Alissa Arnold
Location Manager:
Randy Unger
Ross C. Day
Makeup & Hair Assistant:
Cheryl Markowitz
Music:
Dan Wool
Music Editor:
Peggy McAffee
Music Supervisor:
Marcus Barone
Post Production Supervisor:
Stephen H. Sloan
George Gale
Producer:
Steven Stabler
Brad Krevoy
Production Coordinator:
Sharon Winkler
Production Design:
Jane Ann Stewart
Production Manager:
Debra Marie Simon
Property Master:
Jeff Miller
Thomas Cooper
Publicist:
Steven Jay Rubin
Script Supervisor:
Brenda Weisman
Second Assistant Camera:
Jamie Sterba
Second Assistant Director:
Jeff Crawford
Ty Arnold
Second Second Assistant Director:
Jack S. Krevoy
Veronica Alweiss
Lars P. Winther
Set Decoration:
Lisa Denker
Set Dresser:
Amy Rost
Lance DeSpain
Set Medic:
Lon Saunders
Sound Effects Editor:
Odin Benitez
Wolf Schmidt
Sound Engineer:
Roger Fearing
Sound Re-Recording Mixer:
T.A. Moore Jr.
Paul Ratajczak
Sound Recordist:
Peter V. Meiselmann
Special Effects Coordinator:
John C. Hartigan
Steadicam Operator:
Paul Taylor
Still Photographer:
Abe Perlstein
Storyboard Artist:
John Coven
Stunt Coordinator:
BJ Davis
Stunts:
Scott Blackwood
Glenn Randall Jr.
Larry Holt
John Moio
Eddie Matthews
Monte Rex Perlin
Pat Romano
Dick Warlock
Eddie Braun
Supervising Sound Editor:
Paul Ratajczak
Thanks:
Matthew C. Blank
Transportation Captain:
Joe Cosentino
Transportation Co-Captain:
Dash Hart
Transportation Coordinator:
Michael Burnette
Underwater Director of Photography:
J. Barry Herron
Wardrobe Assistant:
Brenna Gibson
Wardrobe Supervisor:
Paul Girard
Writer:
William Curran
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.