A work in constant progress (and occasional regress).
Release Date:
December 19, 2021
Original Title:
Christmas Takes Flight
Genres:
Comedy | Romance | TV Movie
Production Companies:
All Canadian Entertainment
Brad Krevoy Television
Motion Picture Corporation of America
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 86
The movie tells the story of a handsome but frugal CEO who takes over a family-owned regional airline and plans to cut their annual Christmas charity event, while the original owner’s daughter, who is a pilot for the airline, rallies the community to save the event, and finds unexpected love in the process.
"A" Camera Operator:
Collin Morrison
"B" Camera Operator:
Jeff Zwicker
ADR Editor:
Ireri Barron
Art Direction:
Rick Whitfield
Assistant Costume Designer:
Kelsey Baran
Assistant Director Trainee:
Britnee Reich
Assistant Location Manager:
Abdulla Daiani
Assistant Production Coordinator:
Sam Ochotta
Assistant Property Master:
Mieke Verhelst
Assistant Set Decoration:
Lori Kwasney
Assistant Sound Editor:
Tony Rodney
Joselyn Hernandez
Associate Producer:
Jadene Stojak Babcock
Trudi Thorwaldson
Nathaniel Lyman
Boom Operator:
Ivan Ignatovic
Casting:
Candice Elzinga
Casting Assistant:
Martina Smyth
Co-Executive Producer:
Samantha Herman
Mark Amato
Colorist:
Claudio Sepulveda
Construction Coordinator:
Michael Allen
Costume Set Supervisor:
Himesh Khattar
Dialogue Editor:
Ireri Barron
Digital Imaging Technician:
Jason Kwan
Director:
Michael Robison
Director of Photography:
Pieter Stathis
Editor:
Kelly Herron
Editorial Services:
Jay Harada
Yoon Hee Hwang
Executive Producer:
Amanda Phillips
Eric Jarboe
Amy Krell
Susie Belzberg Krevoy
Cara J. Russell
Doran S. Chandler
Nancy Bennett
Brad Krevoy
Extras Casting:
Stephanie Boeke
First Assistant "A" Camera:
Rogan Lovse
First Assistant "B" Camera:
Marco Lamera
First Assistant Director:
Paul Turner
First Assistant Editor:
Tara Robinson
First Assistant Hairstylist:
Jeanne Hudema
First Assistant Makeup Artist:
Ali Pavlinovich
Foley Editor:
Allyson Cole
Key Hair Stylist:
Amber Snow
Key Makeup Artist:
Ceilidh Dunn
Lead Set Dresser:
Alison Azurdia
Location Manager:
Sean Jmaeff
Music Coordinator:
Hollie Sanders
Music Editor:
Jeff Stojak
Music Supervisor:
Sian O'Byrne
Original Music Composer:
Terry Frewer
Post Production Coordinator:
Spencer Locke
Edward Hyde
Darlene Choo
Nayab Shabbir
Post Production Supervisor:
Jadene Stojak Babcock
Jonathan Shore
Producer:
Kevin Leslie
András Tóth
Production Coordinator:
Audrey Hellmer
Production Design:
Bob Bottieri
Property Master:
Carmelo Bottieri
Script Supervisor:
Bria Wilk
Second Assistant "A" Camera:
Patrick Paes
Second Assistant "B" Camera:
Nicholas Pratt
Danny Rodriguez
Second Assistant Director:
Natalie Fiteni
Set Decoration:
Madison Lee
Set Dressing Buyer:
Bree Mackenzie
Sound Designer:
Ken Cade
Sound Mixer:
Tad Nazar
Sound Re-Recording Mixer:
May Guimarães
Kevin Belen
Sound Supervisor:
Adam Sharpe
Special Effects Assistant:
Dave Truscott
Special Effects Coordinator:
Robert Musnicki
Special Effects Supervisor:
Jak Osmond
Stand In:
Tracy Froese
Martin Renner Wallace
Still Photographer:
Justine Yeung
Stunt Coordinator:
Mike Carpenter
Mike Crestejo
Stunt Driver:
Ian Gordon
Supervising Producer:
Jonathan Shore
Michael Robison
Catherine Kretz
Third Assistant Director:
Samira Pigeau
Title Designer:
Bradley Smith
Truck Costumer:
Josh Hoyles
Unit Production Manager:
Catherine Kretz
Visual Effects Supervisor:
Brett Keyes
Writer:
Dinah Eng
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.