A work in constant progress (and occasional regress).
Release Date:
December 15, 2000
Original Title:
Dude, Where's My Car?
Alternate Titles:
Batice, gde su mi kola?
De moya tachka, chuvak?
Deux épais en cavale
Eh mec! Elle est où ma caisse?
Gde moya tachka, chuvak ?
Hey Donde Esta Mi Auto
Hey, dónde está mi auto?
Megale, ti Kaname Hthes Vrady?
Pich, kŭde mi e kolata?
Μεγάλε, τι Κάναμε Χθες Βράδυ;
我的车在哪里
汽车失踪事件
疯狂失车记
Genres:
Comedy | Romance
Production Companies:
20th Century Fox
Alcon Entertainment
Wayne Rice/Gil Netter Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: M BE: 16 BR: 12 CH: 12 CZ: 12+ DE: 12 DK: 15 ES: 12 FI: K-12 FR: U GB: 15 HU: 16 IE: 15 NL: 16 NO: 12 PL: 16 PT: M/12 RO: 15 RU: 12+ SE: 15 US: PG-13
Runtime: 83
Two stoners wake up after a night of partying and cannot remember where they parked their car.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
3D Artist:
Matt Linder
ADR Coordinator:
David Schatanoff Jr.
ADR Editor:
Beth Bergeron
ADR Engineer:
Derek Casari
ADR Mixer:
Charleen Richards-Steeves
ADR Recordist:
David Lucarelli
Animal Coordinator:
Debbie Pearl
Apprentice Sound Editor:
Mario A. Vitale
Art Department Assistant:
Brian Chmielewski
Art Department Coordinator:
Dawn Ascher-Trevino
Art Direction:
Chas. Butcher
Assistant Art Director:
Brad Ricker
Assistant Camera:
Eli Golub
Assistant Chef:
Bacilio Martin
Assistant Chief Lighting Technician:
Benny McNulty
Assistant Editor:
Thomas Calderon
Assistant Location Manager:
Jennifer Brandon King
Assistant Production Coordinator:
Laura J. DeRosa
Assistant Property Master:
Bryan Duff
Best Boy Grip:
Doug Lasater
Boom Operator:
Jonathan Fuh
Camera Operator:
Joseph E. Gallagher
Carpenter:
Bryan Turk
Casting:
Richard Hicks
Ronnie Yeskel
Casting Assistant:
Leanna Sheldon
Casting Associate:
Mark Scott
Chef:
Francisco Rivas
Chief Lighting Technician:
Leslie J. Kovacs
Choreographer:
Marguerite Pomerhn Derricks
Jennifer Hamilton
Co-Producer:
Nancy Paloian
Color Timer:
Dennis McNeill
Construction Coordinator:
Daniel Turk
Construction Foreman:
Ryan Effner
Costume Design:
Pamela Withers
Costume Supervisor:
Linda S. Cormany
Costumer:
Daniel Hernandez
Craft Service:
Nick Mestrundrea
Dialogue Editor:
Robert Troy
Kim Secrist
James L. Pearson
Kimberly Lowe Voigt
Lucy Coldsnow-Smith
Digital Compositor:
Jordan Mitchell
Digital Compositors:
James MacLean
Digital Effects Supervisor:
Peter W. Moyer
Digital Supervisor:
Michael S. Harbour
Director:
Danny Leiner
Director of Photography:
Robert M. Stevens
Dolly Grip:
Michael S. Ryan
Driver:
Kevin Warendorp
Editor:
Kimberly Ray
Effects Supervisor:
Robert W. Morgenroth
Extras Casting:
Wendy Washbrook
First Assistant Accountant:
Beverly Jusi
First Assistant Camera:
Robert J. San Martin
First Assistant Director:
Paul N. Martin
First Assistant Editor:
Paula Suhy
First Assistant Sound Editor:
Patrick Cicero
Foley:
Dawn Fintor
Foley Mixer:
David Betancourt
Foley Supervisor:
Lisa O'Donoghue
Greensman:
Alex Sessing
Grip:
Didier Koskas
Hair Department Head:
Candy L. Walken
Hairstylist:
Solina Tabrizi
Intern:
Ken Rigberg
Key Costumer:
Suzanne Flores
Key Grip:
Colin Edwards
Key Hair Stylist:
Kay Majerus
Key Makeup Artist:
Lydia Milars
Key Rigging Grip:
Dana Baker
Key Set Costumer:
Jill Korengold
Leadman:
Larry J. White II
Lighting Technician:
Ken W. Ballantine
Loader:
Peter Norkus
Location Assistant:
Nathan Stein
Location Manager:
Antoinette Levine
Location Production Assistant:
Isabelle Demers
Location Scout:
Tiffany Noel Kinder
Makeup Artist:
Susan A. Cabral
Makeup Department Head:
Kris Evans
Music Coordinator:
Jojo Villanueva
Music Editor:
Richard A. Harrison
Music Supervisor:
Dana Millman
Dave Jordan
Musician:
James Thatcher
Negative Cutter:
Gary Burritt
Orchestrator:
Bill Liston
Original Music Composer:
David Kitay
Painter:
Ron Ashmore
Payroll Accountant:
Nicky Craft
Post Production Supervisor:
Charlie Davis
Producer:
Broderick Johnson
Gil Netter
Andrew A. Kosove
Wayne Allan Rice
Production Accountant:
Susannah Brengel
Production Assistant:
Aron Kessler
Production Coordinator:
Linda Warrilow
Production Design:
Charles William Breen
Production Illustrator:
Del Barras
Production Office Assistant:
Billy Greenfield
Production Secretary:
Jude S. Walko
Property Master:
Rudy Reachi
Propmaker:
Michael B. Bunch
Researcher:
Matthew Amato
Rigging Grip:
Michael Grady
Score Engineer:
Bill Talbott
Scoring Mixer:
Dan Wallin
Screenplay:
Philip Stark
Script Supervisor:
Susan Bierbaum
Second Assistant Accountant:
Brandon Linville
Second Assistant Camera:
Richard James Hughes
Second Assistant Director:
Jim Goldthwait
Second Unit Director:
Rich Thorne
Set Decoration:
Jeffrey Kushon
Set Decoration Buyer:
Lisa Goldsmith
Set Designer:
Bruce West
Set Dresser:
Paul Detlefson
Set Medic:
Russ Tanaka
Set Production Assistant:
Claudine Franco
Sound Designer:
Bruce Fortune
Sound Effects Editor:
Glenn Hoskinson
Joe Divitale
Bruce Barris
Steven F. Nelson
Howard Neiman
Sound Mixer:
José Antonio García
Sound Re-Recording Mixer:
Bob Chefalas
James Bolt
Sound Recordist:
José Antonio García
Special Effects Coordinator:
David P. Kelsey
Special Effects Technician:
Robert Calvert
Stand In:
Levi Holiman
Standby Painter:
Al Kenders
Still Photographer:
Tracy Bennett
Storyboard Artist:
Paul S. Power
Stunt Coordinator:
Monty Cox
Stunt Double:
Todd Bryant
Stunts:
Matt Norklun
Brian Avery
Gene LeBell
Hugh Aodh O'Brien
Rick Avery
Supervising Animator:
Debbie Pearl
Supervising Music Editor:
Terry Wilson
Swing:
Bruce Bellamy
Transportation Captain:
John A. Brubaker
Transportation Coordinator:
Wayne Williams
Unit Production Manager:
Leigh Shanta
Unit Publicist:
Laurel House
Utility Sound:
Jacqueline Marie McLaughlin
John Hays
Video Assist Operator:
Chuck Weiss
Visual Effects Coordinator:
Heather Ignarro
Visual Effects Producer:
Kristin Hansen
Visual Effects Supervisor:
Mark Freund
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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