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Written in the Stars (2022) [N/A]

Release Date:
January 31, 2022

Original Title:
Written in the Stars

Genres:
Comedy | Romance | TV Movie

Production Companies:
Incendo Productions
Screentime

Production Countries:
Canada | New Zealand

Ratings / Certifications:
 N/A

Runtime: 90

Overview from TheMovieDB

When Kelsey's magazine approves her pitch about a sceptic's take on love and horoscopes, she is teamed up with Astrology guru, Carter. Clearly from opposite worlds, they put their competing perspectives aside to work the story around a local meteor shower festival. Through both fact and fate, they soon unearth that love really can be written in the stars.

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Trailer

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Performers

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Production

"B" Camera Operator:
Kaelin McCowan

ADR Editor:
Natalie Fleurant

ADR Recordist:
Michael Logie

ADR Supervisor:
Oscar Burt-Shearer

Accountant:
Sonia Cunliffe
Claire Neria

Art Department Assistant:
Alex Whitfield

Art Department Manager:
Anna Cottle

Art Direction:
Jo Schwarz

Assistant Editor:
Victoria Abou-Arrage

Assistant Grip:
Ben Grainger
Caleb Dale

Assistant Set Decoration:
Luca Montagni

Assistant Sound Editor:
Emile Dumas Chalifour

Associate Producer:
Gary Evans

Best Boy Electric:
Ben Montgomery

Best Boy Grip:
Ed Burge

Boom Operator:
Reece Cook

Camera Trainee:
Kris Johnston

Casting:
Greta Gregory

Casting Assistant:
Joe Witkowski

Casting Coordinator:
Evelina Gailer

Colorist:
Marilène Clouâtre

Costume Assistant:
Dornel Edwards
Helen O. Anstis
Riley Chambers

Costume Design:
Tracey Sharman

Costume Supervisor:
Olive Cairns-Morrison

Costumer:
Stella Burns

Dialogue Editor:
Mireille Morin

Digital Imaging Technician:
Luca Turner

Director:
Thomas Robins

Director of Photography:
Renaud Maire

Editor:
Claude Palardy

Executive Producer:
Jean Bureau
Ian Whitehead
Philly de Lacey

First Assistant "A" Camera:
Graham McFarlane

First Assistant "B" Camera:
Nat Brunt
Tom Markham-Short

First Assistant Director:
Quentin Whitwell

Foley Artist:
Simon Meilleur

Foley Recording Engineer:
Jo Caron

Gaffer:
Blair Teesdale

Generator Operator:
Jackson Pretscherer

Graphic Designer:
Zoe Tollenaar
Nathan Foon

Key Costumer:
Orlena Biddle

Key Grip:
Jamie Logan

Key Hair Stylist:
Jean Hewitt

Key Makeup Artist:
Jean Hewitt

Lighting Technician:
Merv Mar
Eugene Loof

Location Assistant:
Cory Tatton

Location Coordinator:
Jahmella McKay

Location Manager:
Benny Tatton
Simon Pattullo

Makeup Artist:
Bridget Nulesi
Christelle McIntosh

Makeup Designer:
Paula Taylor

Music Editor:
Delphine Measroch

Online Editor:
François Corbeil

Original Music Composer:
James Gelfand
Louise Tremblay

Post Production Supervisor:
Julien Tremblay

Producer:
Tina McLaren
Bridget Bourke
Samantha Ellison

Production Accountant:
Bronwyn Taylor
Desmond Kennedy

Production Coordinator:
Stephen Austin

Production Design:
Sarah Cooper

Property Master:
Thomas Hamming

Props:
Sophie Janus
Sol Harre

Script Supervisor:
Dianne Moffatt

Second Assistant "A" Camera:
Jonathan Bowes-Onions

Second Assistant "B" Camera:
Graham Smout

Second Assistant Director:
Rebecca Webb

Set Decoration:
Bridget Menzies

Set Dresser:
Leah Mizrahi
Inga Fillary
Phoebe Wilding

Sound Effects Editor:
Raymond Legault

Sound Mixer:
Eric Ladouceur

Sound Recordist:
Steven Harris

Steadicam Operator:
Rhys Duncan

Still Photographer:
Jai Frew
Davide Zerrilli

Supervising Sound Editor:
Michel B. Bordeleau

Third Assistant Director:
Jonathan Zsofi

Unit Manager:
Aaron Thorpe

Writer:
David Elver

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.