A work in constant progress (and occasional regress).
Release Date:
July 24, 1998
Original Title:
Saving Private Ryan
Alternate Titles:
I Diásosi tou Stratióti Ráian
Rescatando al soldado Ryan
Resevanje vojaka Ryana
Salvar al soldado Ryan
Saving Private Ryan
Spasavanje redova Rajana
Spasti ryadovogo Rayana
Spasyavaneto na rednik Raĭŭn
Vryatuvannya ryadovoho Rayana
सेविंग प्राइवेट रायन
プライベート・ライアン
プライベート・ライアン:1998
拯救大兵瑞恩
雷霆救兵
Genres:
Drama | History | War
Production Companies:
Amblin Entertainment
DreamWorks Pictures
Mutual Film Company
Paramount Pictures
Production Countries:
United States of America
Ratings / Certifications:
AR: 16 AU: MA15+ BE: 18 BR: 14 CA: 18A CH: 16 CZ: 12+ DE: 16 DK: 15 ES: 12 FI: K-16 FR: TP GB: 15 GR: 16 HK: IIB HU: 16 IE: 15 IL: PG |16 IS: 16 IT: VM14 JP: R-15 KR: 15 MX: B NL: 16 NO: 18 NZ: 16 PL: 16 PT: M/14|M/16 RO: 15 RU: 16+ SE: 15 SG: M18 TW: 輔12 US: R
Runtime: 169
As U.S. troops storm the beaches of Normandy, three brothers lie dead on the battlefield, with a fourth trapped behind enemy lines. Ranger captain John Miller and seven men are tasked with penetrating German-held territory and bringing the boy home.
2001 #45 |
100 Years: 100 THRILLS
100 Most Thrilling American Films |
2006 #10 |
100 Years: 100 CHEERS
100 Most Inspiring Films Of All Time |
2007 #71 |
100 Years: 100 MOVIES — 10TH ANNIVERSARY EDITION
100 Greatest American Films Of All Time |
2008 #8 |
Top 10: EPIC
10 Greatest EPIC Films of All Time |
ADR Editor:
Denise Whiting
Thomas Whiting
ADR Mixer:
Dean Drabin
ADR Recordist:
Cary Stratton
ADR Supervisor:
Larry Singer
Aerial Coordinator:
Marc Wolff
Armorer:
Simon Atherton
Art Department Assistant:
Joanna Branch
Art Department Coordinator:
Lavinia Waters
Art Direction:
Chris Seagers
Alan Tomkins
Ricky Eyres
Tom Brown
Assistant Art Director:
Kevin Kavanaugh
Assistant Camera:
David O'Brien
Assistant Chef:
Sarah Linton
Assistant Costume Designer:
Sally Turner
Assistant Dialogue Editor:
Mary Works
Assistant Editor:
Michael Trent
Alexander Garcia
Assistant Hairstylist:
Hugh McAllister
Assistant Location Manager:
Simon Burgess
Assistant Production Coordinator:
Tania Clarke
Clodagh Bowers
Assistant Set Dresser:
Veronique Fletcher
Philippa Bruges
Associate Producer:
Kevin De La Noy
Mark Huffam
Best Boy Electric:
Ricky Pattenden
Best Boy Grip:
Derek Russell
Boom Operator:
Robert Jackson
CG Artist:
Kathleen Beeler
Camera Car:
John Ott
Camera Operator:
Seamus Corcoran
Camera Trainee:
Alan Hall
Carpenter:
David Murphy
Peter N. Brown
Casting:
Denise Chamian
Casting Assistant:
Kara Katsoulis
Catering:
Sara Chappell
Chef:
Colin Anderson
Chief Lighting Technician:
David Devlin
Terry Mulligan
Clapper Loader:
Rosalyn Ellis
Co-Producer:
Bonnie Curtis
Allison Lyon Segan
Color Timer:
Dale E. Grahn
Conductor:
John Williams
Construction Buyer:
Hillery Cope
Construction Coordinator:
Terry Apsey
Costume Assistant:
Fiona Belton
Costume Coordinator:
Sarah Hinch
Costume Design:
Joanna Johnston
Costume Supervisor:
Sheila Fahey
Costumer:
Nigel Boyd
Craft Service:
Aurelia Thomas
Crowd Assistant Director:
Sara Desmond
Daily Wardrobe:
Tom Hornsby
Dialect Coach:
Jessica Drake
Dialogue Editor:
Ewa Sztompke
Sara Bolder
Director:
Steven Spielberg
Director of Photography:
Janusz Kamiński
Draughtsman:
Stephen Bream
Driver:
Gary Birmingham
Editor:
Michael Kahn
Electrician:
Garret Baldwin
Peter O'Toole
Neil Munro
Marek Bojsza
Paul Kemp
Alan Grosch
Terry Townsend
Darren Grosch
Steve Pattenden
First Assistant Camera:
Ciarán Barry
Mark Milsome
First Assistant Director:
Sergio Mimica-Gezzan
First Assistant Editor:
Richard Byard
Floor Runner:
Nick Hopkins
Foley Artist:
Dennie Thorpe
Foley Editor:
Sandina Bailo-Lape
Foley Mixer:
Tony Eckert
Foley Recordist:
Frank 'Pepe' Merel
Grip:
Philip Murphy
Hairstylist:
Betty Glasow
Key Costumer:
Diana Wilson
Key Grip:
John Flemming
Key Makeup Artist:
Lois Burwell
Key Set Costumer:
Tom Macdonald
Local Casting:
Gillian Reynolds
Location Assistant:
Paul Ashton
Location Coordinator:
Nial Fulton
Location Manager:
Alex Gladstone
Machinist:
Norman Baker
Makeup Artist:
Sian Grigg
Makeup Effects:
Michelle Freeborn
Marine Coordinator:
R.H. Davies
Music Editor:
Kenneth Wannberg
Musician:
James Thatcher
Negative Cutter:
Gary Burritt
Orchestrator:
John Neufeld
Original Music Composer:
John Williams
Painter:
Glenn Start
Post Production Assistant:
Kevin Du Toit
Post Production Coordinator:
Sven E. Fahlgren
Post Production Supervisor:
Erica Frauman
Producer:
Mark Gordon
Gary Levinsohn
Ian Bryce
Steven Spielberg
Production Accountant:
George Marshall
Production Assistant:
Jane Burgess
Production Controller:
Jim Turner
Production Coordinator:
Elaine Burt
Production Design:
Thomas E. Sanders
Production Illustrator:
Matt Codd
Production Manager:
Mark Huffam
Property Master:
Maxie McDonald
Prosthetics Sculptor:
Brendan Lonergan
Script Supervisor:
Ana Maria Quintana
Sculptor:
Andy Hunt
Seamstress:
Pat Williamson
Second Assistant Camera:
Tom Jordan
Second Assistant Director:
Adam Goodman
Second Second Assistant Director:
Karen Richards
Set Costumer:
Marcus Love-McGuirk
Set Decoration:
Lisa Dean
Set Dresser:
Jeff Hay
Set Production Assistant:
Rhys Summerhayes
Sound Design Assistant:
Shannon Mills
Sound Designer:
Gary Rydstrom
Sound Effects Editor:
E. Larry Oatfield
Teresa Eckton
Ethan Van der Ryn
Frank E. Eulner
Sound Mix Technician:
Tony Sereno
Sound Mixer:
Ron Judkins
Sound Re-Recording Mixer:
Gary Summers
Special Effects Assistant:
Katie Gabriel
Special Effects Coordinator:
Carol McAulay
Special Effects Supervisor:
Neil Corbould
Special Effects Technician:
Michael Bartlett
Stand In:
Jason Horwood
Standby Art Director:
Gary Freeman
Standby Carpenter:
Michael Law
Standby Rigger:
Ginger McCarthy
Still Photographer:
David James
Storyboard:
John Greaves
Stunt Coordinator:
Simon Crane
Stunt Double:
Lyndon S. Hellewell
Stunts:
Andy Bennett
Sean McCabe
Lyndon S. Hellewell
Aris Comninos
David Lištván
Jim Dowdall
Jeff Hewitt-Davis
Dominick Hewitt
Bill Weston
Mark Henson
Jaroslav Peterka
Pavel Vokoun
Ray De-Haan
Ray Nicholas
Neil Finnighan
Steve Griffin
Paul Herbert
Rob Inch
Tony Lucken
Steve Caswell
Donal O'Farrell
Jindřich Klaus
Pavel Krátký
Viktor Cervenka
Paul Heasman
Dimo Lipitkovský
Jaroslav Pšenička
Dusan Hyska
Gary Powell
Jürgen Klein
Michael Mohr
Marc Cass
Pavel Cajzl
Supervising Art Director:
Daniel T. Dorrance
Supervising Carpenter:
John Mcgregor
Supervising Sound Editor:
Richard Hymns
Tailor:
Lee Clayton
Third Assistant Director:
Martin Krauka
Daisy Cummins
Transportation Captain:
Brian Baverstock
Transportation Coordinator:
Brian Hathaway
Unit Publicist:
Susan d'Arcy
Utility Stunts:
Stuart Clarke
Video Assist Operator:
Noel Donnellon
Visual Effects Art Director:
Alexander Laurant
Visual Effects Camera:
Robert Hill
Visual Effects Editor:
Bill Kimberlin
Visual Effects Producer:
Kim Bromley
Visual Effects Production Assistant:
Amanda K. Montgomery
Visual Effects Production Manager:
Lori Arnold
Visual Effects Supervisor:
Stefen Fangmeier
Wardrobe Master:
Anthony Black
Writer:
Robert Rodat
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.