A work in constant progress (and occasional regress).
Release Date:
December 23, 2021
Original Title:
Sweet as Maple Syrup
Genres:
Comedy | Romance | TV Movie
Production Companies:
Incendo Productions
Production Countries:
Canada
Ratings / Certifications:
US: G
Runtime: 90
Rachelle is in a race against time when her family's maple orchard starts to decline, just ahead of the upcoming Maple Syrup Festival. With the help of Derek, a professor of arboriculture, they combine her hands-on experience and his scientific knowledge to heal the orchard, along the way discovering their newfound friendship may have a sweet ending of its own.
"B" Camera Operator:
Philippe Roy
Jean-Sébastien Desrosiers
ADR Editor:
Sebastien Gervais
Natalie Fleurant
ADR Recordist:
David Drage
Maelynn Ball
Ilyaa Ghafouri
Zak Cohen
ADR Supervisor:
Gina Mueller
Janice Ierulli
Natalie Fleurant
Additional Grip:
Alexandra Elkin
Francis Leduc
Francois-Xavier Bleau
Chanie Bélanger
Dominic Leonard
Steven Trudel-Henri
Lukas Nichol
Axel Robidoux
Additional Third Assistant Director:
Delphine Lecourtois
Harris Ellison
Keven P. Parent
Gabriel Morasse
Cedrick Melancon
Art Department Assistant:
Alexandra St-Laurent
Line Briand
Art Department Coordinator:
Isabelle Létourneau
Assistant Accountant:
Erin Dance
Melanie Dallaire
Karoline Morin
Daniel Leclerc
Assistant Editor:
Veronique Choquette
Andreanne Cousineau
Melissa Paquet
Assistant Location Manager:
Anita Bensabat
Assistant Sound Editor:
Alexis Pilon-Gladu
Associate Producer:
Gary Evans
Best Boy Electric:
Nicholas Hohn
Best Boy Grip:
Leopold Laliberte Guy
Boom Operator:
Louis Dutil
Camera Trainee:
Esteban Maturana
Casting:
Bruno Rosato
Kate Yablunovsky
Casting Associate:
Kalene Osborne
Colorist:
Marilène Clouâtre
Costume Design:
Anie Fisette
Costumer:
Marilène Duchesne
Sarah Patris
Martyne Girard
Sigesmund Moser
Decorator:
Amélie Léonard
Andreanne Varennes
Marie-Ève Bolduc
Dialogue Editor:
Claire Pochon
Director:
Caroline Labrèche
Dolly Grip:
Patrice Lapointe
Electrician:
Alexandra Shaporina
Jean François Lépine
Charles Proulx
Axel Robidoux
Executive Producer:
Jean Bureau
Ian Whitehead
Extras Casting:
Kathleen Côté
Extras Dresser:
Charlie Pitre
First Assistant "A" Camera:
Isabelle Pépin
First Assistant "B" Camera:
Carla Clarke
First Assistant Director:
Gabriel Teller
Foley:
Maya Kuroki
Foley Artist:
Simon Meilleur
Gaffer:
Alex Amyot
Bernard April
Graphic Designer:
Maurice Roy
Grip:
Patrice Lapointe
Christian Sauvageau
Hairdresser:
Stephane Scottodicesare
Stéphanie Barrette
Key Costumer:
Louis Robert Raymond
Key Grip:
Carlo Secchiaroli
Jean-François Sauvageau
Key Hairdresser:
Sabin Paradis
Key Makeup Artist:
Melissa Purino
Location Manager:
Pierre Mongrain
Makeup Artist:
Chanelle Ouellette
Catherine Laniel
Online Editor:
Martine Rousseau
Post Production Coordinator:
Claire Laboureau
Post Production Supervisor:
Julien Tremblay
Producer:
Samantha Ellison
Production Accountant:
Desmond Kennedy
Production Coordinator:
Marie-Christine Bourgeois
Helene St-Denis
Production Manager:
Simon-Pier Bélanger
Property Master:
Stéphane Connolly
Props:
Marie-Josée Trottier
Recording Supervision:
Hans Laitres
Script Coordinator:
Rick Cranford
Script Supervisor:
Louise Theriault
Seamstress:
Chantal Derail
Second Assistant "A" Camera:
Natacha LeMay
Second Assistant "B" Camera:
Martin Laframboise
Alice Lemieux
Second Assistant Director:
Mélany Goudreau
Sound Effects Editor:
Raymond Legault
Sound Engineer:
Jo Caron
Éric Lagacé
Sound Mixer:
Aurélien Salvy
Sound Re-Recording Assistant:
Justin Vanier
Sound Re-Recording Mixer:
Hans Laitres
Steadicam Operator:
Maude Turcot
Still Photographer:
Bertrand Calmeau
Supervising Sound Editor:
Michel B. Bordeleau
Third Assistant Director:
Clara Haddad
Roxanna Macedo
Unit Manager:
Mathias Perronno
Sacha LaPierre
Unit Publicist:
Mireille Houde
Visual Effects Supervisor:
François Trudel
Wardrobe Master:
Ginny Moses
Micheline Cossette
Writer:
Julie Kim
Kariné Marwood
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.