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Destination Love (2022) [N/A]

Release Date:
January 6, 2022

Original Title:
Destination Love

Genres:
Comedy | Romance | TV Movie

Production Companies:
Incendo Productions
Screentime
Téléfilm Canada

Production Countries:
Canada | New Zealand

Ratings / Certifications:
 N/A

Runtime: 90

Overview from TheMovieDB

Madison has the chance to pursue her love of event management when her two best friends announce their engagement. Finding a pre-planned wedding package on a remote island vineyard in New Zealand, Madison teams up with David, the handsome vineyard owner, to re-imagine the event for her friends.

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Trailer

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Performers

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Production

"B" Camera Operator:
Tammy Williams

ADR Editor:
Natalie Fleurant
Sebastien Gervais

ADR Engineer:
Michael Logie

ADR Recordist:
Chris Navarro

ADR Supervisor:
Oscar Burt-Shearer
Paul Carden

Art Department Coordinator:
Annie Mahon

Art Direction:
Jeremy Archibald

Assistant Foley Artist:
Maya Kuroki

Assistant Sound Editor:
Alexis Pilon-Gladu

Associate Producer:
Gary Evans

Best Boy Electric:
Ben Montgomery

Best Boy Grip:
Jamie Logan

Boom Operator:
Gerry Parke

Camera Trainee:
Kris Johnston

Casting Assistant:
Joe Witkowski

Casting Director:
Greta Gregory

Colorist:
Marilène Clouâtre

Compositing Artist:
Valérie Roussin-Potvin

Costume Designer:
Tracey Sharman

Costume Supervisor:
Olivia Cairns-Morrison

Dialogue Editor:
Mireille Morin

Digital Imaging Technician:
Luca Turner

Director:
Aidee Walker

Director of Photography:
Ian McCarroll

Drone Operator:
Ben Ireland

Drone Pilot:
Chris Pine

Editor:
David Di Francesco

Executive Producer:
Ian Whitehead
Jean Bureau
Philly de Lacey

First Assistant "A" Camera:
Graham MacFarlane

First Assistant "B" Camera:
Kely Chen

First Assistant Director:
Carey Carter

Foley Artist:
Simon Meilleur

Gaffer:
Blair Teesdale

Generator Operator:
Jackson Pretscherer

Graphic Designer:
Nathan Foon
Zoe Tollenaar

Grip:
Gabriel Prince
Aaron Gibson
Caleb Dale

Key Grip:
Kayne Asher

Key Hairdresser:
Jean Hewitt

Key Makeup Artist:
Jean Hewitt

Lighting Technician:
Eugene Loof
Merv Mar

Location Manager:
Simon Pattullo
Benny Tatton

Makeup Artist:
Bridget Nulesi

Makeup Designer:
Paula Taylor

Original Music Composer:
James Gelfand
Louise Tremblay

Post Production Supervisor:
Julien Tremblay

Producer:
Tina McLaren
Ian Whitehead
Bridget Bourke

Production Coordinator:
Louise Ellis

Production Design:
Dion Boothby
Sarah Cooper

Production Manager:
Claire Campbell

Property Buyer:
Lee Foreman

Script Coordinator:
Rick Cranford

Script Supervisor:
Kathe Calis

Second Assistant "A" Camera:
Jonathan Bowes-Onions

Second Assistant "B" Camera:
Deanna Woodfield

Second Assistant Director:
Rebecca Webb

Set Decoration:
Gavin Walker

Set Dresser:
Luke Sheppard
Marissa Healey

Sound Effects Editor:
Raymond Legault

Sound Engineer:
Éric Lagacé
Jo Caron

Sound Mixer:
Luc Boudrias

Sound Recordist:
Steven Harris

Still Photographer:
Davide Zerilli
Jai Frew

Supervising Producer:
Graham Ludlow

Supervising Sound Editor:
Michel B. Bordeleau

Third Assistant Director:
Jonathan Zsofi

Utility Sound:
Hayden Washington-Smith

VFX Artist:
Vincent Scotti

VFX Supervisor:
Hugo Léveillé

Visual Effects Producer:
Catherine Bélanger-Gagnon

Writer:
John Banas

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.