A work in constant progress (and occasional regress).
Release Date:
May 12, 2021
Original Title:
As Gouda as It Gets
Genres:
Comedy | Romance | TV Movie
Production Companies:
Incendo Productions
Production Countries:
Canada
Ratings / Certifications:
CA: G
Runtime: 90
Artisan cheese shop owner Brie finds herself competing for a $50,000 prize in her town's annual Cheese Festival. To boost her presence, she teams up with an influential cheese critic to profile her vintage smoked gouda. As their friendship develops into romance, a competitor's business proposal and unforeseen complications force Brie to put her shop - and heart - on the line.
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ADR Editor:
Natalie Fleurant
Sebastien Gervais
Additional Third Assistant Director:
Alexandre Agro
Harris Ellison
Natalia Grijalva
Raphaël Hébert
Nathalie Lacoste
Pascale Ouellet
Art Department Assistant:
Angie Marquis
Alexandra St-Laurent
Art Department Coordinator:
Isabelle Létourneau
Assistant Accountant:
Mélanie Dallaire
Karoline Morin
Assistant Location Manager:
Anita Bensabat
Caroline Francoeur
Bruno Lemire
Isabelle Plourde
Assistant Sound Editor:
Alexis Pilon-Gladu
Assistant Unit Manager:
Sacha LaPierre
Best Boy Electric:
Francois Alarie
Best Boy Grip:
Christian Picone
Leopold Laliberte Guy
Boom Operator:
Louis Dutil
Eric Dautel
Stephanie Pineault
Camera Trainee:
François Picard Laplante
Casting:
Sara Kay
Jenny Lewis
Bruno Rosato
Kate Yablunovsky
Casting Associate:
Kalene Osborne
Colorist:
Marilène Clouâtre
Costume Coordinator:
Marilène Duchesne
Costume Designer:
Anie Fisette
Costumer:
Louis Robert Raymond
Naomie Caron
Christine Doyle
Marianne Roy
Lison Daignault
Decorator:
Marie-Ève Bolduc
Lucie Thibault
Andreanne Varennes
Dialogue Editor:
Mireille Morin
Director:
Anne De Léan
Director of Photography:
Daniel Villeneuve
Editor:
Max Chalifoux
Executive Producer:
Jean Bureau
Ian Whitehead
Extras Casting:
Kathleen Côté
First Assistant Accountant:
Erin Dance
First Assistant Camera:
Isabelle Pépin
First Assistant Director:
Christian Simard
Foley Artist:
Simon Meilleur
Foley Recording Engineer:
Daniel Bisson
Gaffer:
Alex Amyot
Generator Operator:
Yves Ouimet
Graphic Designer:
Maurice Roy
Grip:
Andrey Chimkovitch
Christian Sauvageau
Hairdresser:
Isabella Forget
Colette Martel
Key Grip:
Carlo Secchiaroli
Key Hairdresser:
Sabin Paradis
Stéphanie Barrette
Key Makeup Artist:
Melissa Purino
Lighting Technician:
Charles Proulx
Zenab Jaber
Dominic Leonard
Line Producer:
Samantha Ellison
Location Manager:
Pierre Mongrain
Makeup Artist:
Chanelle Ouellette
Catherine Laniel
Online Editor:
Martine Rousseau
Original Music Composer:
James Gelfand
Louise Tremblay
Post Production Coordinator:
Claire Laboureau
Post Production Supervisor:
Nicole Harvey
Producer:
Kaleigh Kavanagh
Production Accountant:
Desmond Kennedy
Production Coordinator:
Marie-Christine Bourgeois
Helene St-Denis
Production Design:
Lyne Chénier
Production Manager:
Simon-Pier Bélanger
Property Master:
Stéphane Connolly
Script Coordinator:
Rick Cranford
Script Supervisor:
Louise Theriault
Isabelle Faivre-Duboz
Seamstress:
Lison Daignault
Second Assistant Camera:
Olivia Aravecchia
Natacha LeMay
Second Assistant Director:
Mélany Goudreau
Set Runner:
Fanny Milot Lemoine
Sound Effects Editor:
Raymond Legault
Sound Mixer:
Aurélien Salvy
Sound Re-Recording Assistant:
David Stanley Pierre
Sound Re-Recording Mixer:
Luc Boudrias
Stand In:
Vie Nystrom
Still Photographer:
Bertrand Calmeau
Supervising Sound Editor:
Michel B. Bordeleau
Third Assistant Director:
Alexandra Laniel
Unit Manager:
Stéphane Doyon
Unit Publicist:
Mireille Houde
Visual Effects Coordinator:
Julie Pagé
Visual Effects Supervisor:
Hugo Léveillé
Wardrobe Master:
Ginny Moses
Micheline Cossette
Writer:
James Taylor Phillips
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.