A work in constant progress (and occasional regress).
Release Date:
April 22, 2021
Original Title:
A Love Yarn
Genres:
Comedy | Romance | TV Movie
Production Companies:
Incendo Productions
Screentime
Production Countries:
Canada | New Zealand
Ratings / Certifications:
CA: PG
Runtime: 84
The owner of a quaint New Zealand yarn shop, Sophie Dale, gets her world flipped upside down after learning her top supplier of yarn, King Farms, is stopping production. Much to her surprise, the charming yet stuck-in-his-ways Samuel King has traveled all the way from New York to audit the business model of the farm. Desperate to keep her shop going, Sophie convinces Samuel to give her two weeks to learn the ropes of yarn spinning and raise enough money to buy the mill herself.
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"B" Camera Operator:
Kaelin McCowan
ADR Editor:
Natalie Fleurant
Sebastien Gervais
ADR Recordist:
Michael Logie
ADR Supervisor:
Oscar Burt-Shearer
Accountant:
Sonia Cunliffe
Art Department Assistant:
Luca Montagni
Art Department Coordinator:
Annie Mahon
Art Direction:
Sarah Cooper
Assistant Accountant:
Mélanie Dallaire
Karoline Morin
Assistant Editor:
Stephanie Fregeau Pasquale
Andreanne Cousineau
Veronique Choquette
Assistant Grip:
Matt Hunter
Assistant Unit Manager:
Bretti Lydiard
Associate Producer:
Samantha Ellison
Best Boy Electric:
Aidan Sanders
Best Boy Grip:
Simon Jones
Boom Operator:
Kevah Sharifian
Kyle Griffiths
Casting Assistant:
Serena Cotton
Casting Director:
Neill Rea
Colorist:
Marilene Cousineau
Costume Assistant:
Riley Chambers
Costume Designer:
Tracey Sharman
Costume Supervisor:
Olive Cairns-Morrison
Costumer:
Lissy Turner
Dialogue Editor:
Mireille Morin
Director:
Peter Burger
Director of Photography:
David Paul
Drone Operator:
Brendon Dixon
Editor:
David Di Francesco
Executive Producer:
Philly de Lacey
Jean Bureau
Ian Whitehead
First Assistant "A" Camera:
Daniela Conforte
First Assistant "B" Camera:
David Steel
First Assistant Accountant:
Erin Dance
First Assistant Director:
Craig Wilson
Foley:
Maya Kuroki
Foley Artist:
Simon Meilleur
Gaffer:
Christian Dunn
Generator Operator:
Ben Corlett
Graphic Designer:
Zoe Tollenaar
Key Grip:
Evan Pardington
Key Hair Stylist:
Lisa Shearer
Key Makeup Artist:
Lisa Shearer
Lighting Technician:
Sydney Wilson
Joseph Leonard
Location Assistant:
Richard Sikuea
Felila Matafeo
Location Coordinator:
Tayla Broomfield
Makeup Artist:
Hu Nakagawa
Makeup Designer:
Susie Glass
Online Editor:
Martine Rousseau
Original Music Composer:
Louise Tremblay
James Gelfand
Post Production Supervisor:
Nicole Harvey
Producer:
Tina McLaren
Kaleigh Kavanagh
Bridget Bourke
Production Accountant:
Barbara Coston
Desmond Kennedy
Production Coordinator:
Roslyn Lusty
Production Design:
Ross McGarva
Production Secretary:
Stephanie Escalante
Property Master:
Natalie Tsuchiya
Script Coordinator:
Rick Cranford
Script Supervisor:
Melissa Lawrence
Second Assistant "A" Camera:
Jack Vincent
Second Assistant "B" Camera:
Lachlan Justice
Set Decoration:
Donna Hanson
Sound Effects Editor:
Alexis Pilon-Gladu
Raymond Legault
Sound Engineer:
Daniel Bisson
Sound Mixer:
Ilyaa Ghafouri
Blaise Emard
Luc Boudrias
Sound Recordist:
Adam Martin
Still Photographer:
Jai Frew
Supervising Sound Editor:
Michel B. Bordeleau
Third Assistant Director:
Esther Collas
Unit Manager:
Tafale Matafeo
Josh Dun
Unit Publicist:
Mireille Houde
Writer:
Becca Johanson
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.