A work in constant progress (and occasional regress).
Release Date:
February 27, 2021
Original Title:
It Was Always You
Genres:
Romance | TV Movie
Production Companies:
Hallmark Media
Just To Be Clear Productions
Production Countries:
Canada | United States of America
Ratings / Certifications:
US: G
Runtime: 84
Elizabeth's engagement plans are thrown into disarray when her fiancée's free-spirited brother David returns home. David's unexpected influence prompts Elizabeth to question her life decisions.
"A" Camera Operator:
Corey Tremblay
"B" Camera Operator:
Graham Talbot
Nelson Talbot
"C" Camera Operator:
Nicholas Kuang
Accountant:
Marnie Termuende
Animal Coordinator:
Grace MacLeod
Art Direction:
Will Gendemann
Assistant Costume Designer:
Sarah Runnalls
Assistant Editor:
Veronica Formos
Galen Allan
Assistant Hairstylist:
Angela Ohana
Assistant Location Manager:
Shaun Barry
Assistant Makeup Artist:
Kelly Newman
Assistant Production Coordinator:
Regan R. MacLeod
Matteus O'Connor
Assistant Set Decoration:
Chris Hibbins
Assistant Sound Editor:
Kevin Watson
Best Boy Electric:
June Ellerbeck
Marcus Lalande
Book:
Marian Thurm
Boom Operator:
Darcy Beck
Carpenter:
Ken Doskoch
Casting:
Penny Perry
Jackie Lind
Casting Assistant:
Tara Bell-Irving
Colorist:
Kipp Lightburn
Costume Designer:
Kristi Kinghorn
Costume Set Supervisor:
Hannah Beth Stenberg
Dialogue Editor:
Stephen Cheung
Digital Imaging Technician:
Kynan Tait
Director:
Michael Robison
Director of Photography:
William McKnight
Dolly Grip:
Koty Bannouvong
Editor:
Jason Dale
Executive Producer:
Kathy Kloves
Joey Plager
Risa Shapiro
Extras Casting:
Jacqui Kaese
Extras Casting Assistant:
Jana Child
First Assistant "A" Camera:
Kenneth Randall
First Assistant "B" Camera:
Morgane Haillot
First Assistant Director:
Paul Turner
Foley Artist:
Ian Mackie
Foley Recording Engineer:
Rick Senechal
Gaffer:
Jeremy Johnson
Generator Operator:
Stephen Stichman
Key Grip:
Nelson Languedoc
Key Hair Stylist:
Jillian Tymos
Key Makeup Artist:
Pam Anseeuw
Lead Set Dresser:
Jeremy Childs
Location Manager:
Steve Kinghorn
Music:
Mikel Hurwitz
Music Coordinator:
Hollie Sanders
Music Supervisor:
Sian O'Byrne
Online Editor:
Cassandra Yaseniuk
Matthew Shuttleworth
Payroll Accountant:
Elaine Harrison
Post Production Accountant:
Faiza Lalani
Post Production Coordinator:
Rachel Ware
Behnam Salimy
Post Production Supervisor:
Sepideh Merchant
Producer:
Charles Cooper
Production Accountant:
Nicola Eagen
Production Coordinator:
Miles Gorovich
Production Design:
Trevor Belcourt
Production Manager:
Allen Lewis
Production Sound Mixer:
Matthew Turner
Property Master:
Gregory Aarons
Props:
Kristen Nuhn
Script:
Kathy Kloves
Script Supervisor:
Lisa Rerrie
Second Assistant "A" Camera:
Tom Barton
Second Assistant "B" Camera:
Zoey Robertson
Second Assistant Director:
Stephanie Wells
Security Coordinator:
Brent Corbin
Set Decoration:
Ciaran Gilmore
Set Dresser:
Nic Bermudez
Elliott Loran
Short Story:
Marian Thurm
Sound Designer:
Craig George
Sound Re-Recording Mixer:
Craig George
Joe Watts
Still Photographer:
Luba Popovic
Stunt Coordinator:
Brett Armstrong
Stunt Double:
Margaryta Soldatova
Teleplay:
Kathy Kloves
Third Assistant Director:
Tamara Malczewska
Transportation Captain:
Ryan A. Wilcox
Transportation Coordinator:
Dean Fitzpatrick
Truck Costumer:
Gabriella De Candia
Unit Manager:
Dylan Staniforth
Visual Effects Supervisor:
Vishwas Kapoor
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.