A work in constant progress (and occasional regress).
Release Date:
November 7, 2020
Original Title:
Dying for a Daughter
Alternate Titles:
A Mother's Secret
Dying For A Daughter
Genres:
TV Movie | Thriller
Production Companies:
Hybrid
Lifetime
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 90
Samantha's life is turned upside down after a terrifying car accident leaves her 10-year-old daughter Cassie severely injured. Already struggling to balance her consuming work life with her deteriorating marriage to Cassie's father, Tom, Samantha hires a live-in-nurse Margaret to help her daughter recover. Margaret, embittered over the loss of her own child, embarks on a mission of vengeance against Samantha and Tom to get back the daughter she thinks is hers. Written by Hybrid, LLC
"B" Camera Operator:
Nick Bianchi
Casting:
Dean E. Fronk
Donald Paul Pemrick
Jennifer Buster
Co-Executive Producer:
Gene George
Co-Producer:
Brian Nolan
Peter Sullivan
Costume Design:
Monique Hyman
Dialogue Editor:
Todd Jacobs
Director:
Fred Olen Ray
Director of Photography:
Alexander Yellen
Editor:
Brian Brinkman
Joshua Toomey
Executive Producer:
Barry Barnholtz
Zelma Kiwi
Jeffrey Schenck
First Assistant "A" Camera:
Curtis Davis
First Assistant Director:
Glenn Miller
Foley Artist:
Mark McBryde
Line Producer:
Christopher Ray
Online Editor:
Mark Noad
Original Music Composer:
Chris Cano
Chris Ridenhour
Producer:
Fred Olen Ray
Production Design:
Bill Voorhees
Production Supervisor:
Nima Azadi
Second Assistant "B" Camera:
Thomas Hennessy
Second Assistant Director:
Jessica Dean Rose
Sound Designer:
David Michael Erwin
Sound Mixer:
Alexander X. Hutchinson
Sound Re-Recording Mixer:
Dave Moorman
Steadicam Operator:
Nick Bianchi
Story:
Jeffrey Schenck
Peter Sullivan
Unit Production Manager:
Dakotah Hitt
Visual Effects Supervisor:
Joseph J. Lawson
Writer:
Fred Olen Ray
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.