A work in constant progress (and occasional regress).
Release Date:
October 23, 2020
Original Title:
Asteroid-a-Geddon
Genres:
Action | Science Fiction
Production Companies:
The Asylum
Production Countries:
United States of America
Ratings / Certifications:
DE: 12 FR: 12 GB: 15
Runtime: 86
A global scientific summit debates and fails on a plan to stop a massive asteroid heading straight for Earth, with all countries blaming each other for the impeding disaster. With communications tense, the daughter of a tech billionaire assembles her own team of specialists to try to destroy the asteroid before it is too late.
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ADR Editor:
Scot Derwingson-Peacock
Art Direction:
Phil Valore
Camera Operator:
MJ Schirmer
Gene Sung
Co-Producer:
Paul Bales
Colorist:
Mark Quod
Costume Design:
Joyce Tatler
Digital Imaging Technician:
Chad van Schuyver
Director:
Geoff Meed
Director of Photography:
Noah Luke
Editor:
Cameron Ames
Executive Producer:
David Rimawi
First Assistant Camera:
Max Harsant
Chad van Schuyver
First Assistant Director:
Nicholas Ryan
Foley Editor:
Scot Derwingson-Peacock
Gaffer:
Nestor Valenzuela
Key Grip:
Carlos Perez
Key Production Assistant:
Poniac Quont
Line Producer:
Jarrett Furst
Makeup Artist:
Monique Paredes
Music Supervisor:
Rachel Anderson-Lebron
Original Music Composer:
Chris Cano
Chris Ridenhour
Mikel Shane Prather
Post Production Coordinator:
Mario N. Bonassin
Post Production Supervisor:
Mark Quod
Producer:
David Michael Latt
Production Design:
Adam Assad
Second Assistant Camera:
Jack X. Proctor
Second Assistant Director:
Amy Covell
Sound Editor:
Scot Derwingson-Peacock
Sound Effects Editor:
Clifton Carlson
Sound Mixer:
Adam Sperry
Sound Re-Recording Mixer:
Craig Polding
Still Photographer:
Jason Tozier
Unit Production Manager:
Josh Folan
VFX Artist:
Sasha Burrow
Aaron Witlin
Tammy Klein
Visual Effects Supervisor:
Glenn Campbell
Writer:
Geoff Meed
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.