Apocalypse of Ice (2020) [N/A]

Release Date:
September 15, 2020

Original Title:
Apocalypse of Ice

Alternate Titles:
Apocalipsis de hielo
冰之启示录
极冻启示录

Genres:
Action | Adventure | Science Fiction

Production Companies:
The Asylum

Production Countries:
United States of America

Ratings / Certifications:
FR: 10  GB: 12 

Runtime: 90

In the heart of a pandemic, a new disaster appears.

Earthquakes cause a massive polar vortex that covers most of the planet, a family must make their way to a safe zone at the equator.

Additional information:

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"B" Camera Operator:
Chris Kaiser

ADR Mixer:
Scot Derwingson-Peacock

Assistant Editor:
Monroe Robertson

Camera Operator:
Marcus Friedlander

Co-Producer:
Paul Bales

Colorist:
Mark Quod

Costume Design:
Grey Cardenas

Craft Service:
Darren Radeff

Digital Imaging Technician:
Chris Kaiser

Director:
Maximilian Elfeldt

Director of Photography:
Marcus Friedlander

Drone Operator:
Dan Rink

Editor:
Maximilian Elfeldt

Executive Producer:
David Rimawi

First Assistant Camera:
Steven Neel

First Assistant Director:
Ben Gelera

Foley Editor:
Scot Derwingson-Peacock

Gaffer:
Eli Franks

Key Grip:
Michael D. Radeff

Line Producer:
Anthony C. Ferrante

Music Supervisor:
Rachel Anderson-Lebron

Original Music Composer:
Chris Cano
Chris Ridenhour
Mikel Shane Prather

Post Production Coordinator:
Mario N. Bonassin

Post Production Supervisor:
Mark Quod

Producer:
David Michael Latt

Production Accountant:
Michele B. McGraw

Production Assistant:
Jackson Burkhardt

Production Design:
David Jeter

Second Assistant Director:
Nadine Flores

Set Medic:
Robin Jeter

Sound Effects Editor:
Clifton Carlson

Sound Mixer:
Jaime Fish

Sound Re-Recording Mixer:
Craig Polding

Still Photographer:
Erik Fischer

Unit Production Manager:
Michele B. McGraw

Visual Effects Coordinator:
Sasha Burrow

Visual Effects Supervisor:
Glenn Campbell

Writer:
Ryan Ebert

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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