A work in constant progress (and occasional regress).
Release Date:
August 4, 2021
Original Title:
La nave del olvido
Alternate Titles:
Caminhos Esquecidos
Les sentiers de l'oubli
Genres:
Drama | Romance
Production Countries:
Chile
Ratings / Certifications:
BR: L FR: U
Runtime: 72
Claudina is a repressed woman from the countryside. After her husband passes away, she meets Elsa, a married woman with whom she discovers real love. In a little conservatory town in the south of Chile, obsessed with UFO sighting, she starts a new journey.
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ADR Editor:
Karen Cruces
Art Direction:
Melisa Nicitich
Assistant Editor:
Valeria Hernández
Associate Producer:
Sebastián Radic
Color Timer:
Ismael Cabrera
Continuity:
Álvaro Anguita
Costume Design:
Francisca Román
Dialogue Editor:
Karen Cruces
Director:
Nicol Ruiz
Director of Photography:
Víctor Rojas
Editor:
Mayra Morán
Camila Menéndez
Editorial Consultant:
Soledad Salfate
Executive Producer:
Catalina Fontecilla
Víctor Rojas
Nicol Ruiz
First Assistant Director:
Camila Rodó
Sebastián Soto Salas
Foley Artist:
Ivo Moraga
Foley Editor:
Soledad Vargas
Foley Recordist:
Soledad Vargas
Makeup & Hair:
Melisa Nicitich
Music Producer:
Santiago Jara
Original Music Composer:
Santiago Jara
Post Production Coordinator:
Pamela Valenzuela
Production Design:
Eugenio González
Screenplay:
Nicol Ruiz
Second Assistant Director:
Pamela Alvarez
Set Decoration:
Mauricio Ducheylard
Sound:
Isaac Moreno
Sound Mixer:
Mauricio López
Thanks:
Amalia Kassai
Nadine Voullième
Third Assistant Director:
María José Concha
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.