A work in constant progress (and occasional regress).
Release Date:
September 18, 1998
Original Title:
A Soldier's Daughter Never Cries
Alternate Titles:
En soldats datter gråter aldri
La fille d'un soldat ne pleure jamais
Genres:
Drama
Production Companies:
British Screen Productions
Capitol Films
Merchant Ivory Productions
Production Countries:
France | United Kingdom | United States of America
Ratings / Certifications:
US: R
Runtime: 127
This fictionalized story, based on the family life of writer James Jones, is an emotional slice-of-life story. Jones is portrayed here as Bill Willis, a former war hero turned author who combats alcoholism and is starting to experience health problems. Living in France with his wife, daughter, and an adopted son, the family travels an unconventional road which casts them as outsiders to others. Preaching a sexual freedom, his daughter's sexual discovery begins at an early age and betrays her when the family moves to Hanover in America. Her overt sexuality clashes with the values of her teenage American peers and gives her a problematic reputation. Meanwhile, her brooding brother copes with his own interior pain regarding his past, only comfortable communicating within the domestic space.
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ADR Mixer:
Mark DeSimone
Art Direction:
Linwood Taylor
Per-Olof Renard
Casting:
Tricia Tomey
Co-Executive Producer:
Sharon Harel-Cohen
Jane Barclay
Co-Producer:
Paul Bradley
Costume Design:
Carol Ramsey
Director:
James Ivory
Director of Photography:
Jean-Marc Fabre
Editor:
Noëlle Boisson
Executive Producer:
Richard Hawley
Nayeem Hafizka
Key Hair Stylist:
Thomas Nellen
Novel:
Kaylie Jones
Original Music Composer:
Richard Robbins
Producer:
Ismail Merchant
Production Design:
Pat Garner
Jacques Bufnoir
Screenplay:
James Ivory
Ruth Prawer Jhabvala
Set Decoration:
James Edward Ferrell Jr.
Sound:
Ludovic Hénault
Sound Recordist:
Tim Cavagin
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.