A work in constant progress (and occasional regress).
Release Date:
April 26, 2011
Original Title:
200 MPH
Alternate Titles:
High Speed - Wer braucht Fast Five?
Speed Racer
Genres:
Action | Thriller
Production Companies:
The Asylum
Production Countries:
United States of America
Ratings / Certifications:
DE: 16 NL: 12 US: PG-13
Runtime: 90
When the older brother (Tommy Nash) he idolizes is run off the road by a ruthless drug dealer (Darren Thomas) during a nighttime street race known as Sepulveda Suicide, Rick Merchant (Jaz Martin) channels his grief into getting revenge behind the wheel. But to win, he’ll need to modify his trusty 1978 Datsun 280Z — with help from a pretty mechanic (Hennely Jimenez) — to get the maximum speed out of its machinery.
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"B" Camera Operator:
Brett Juskalian
Additional Music:
Chris Cano
Casting Associate:
Cambria Hankin
Eugene Mosley
Co-Producer:
Paul Bales
Colorist:
Mark Quod
Costume Design:
Amber Hamzeh
Director:
Cole S. McKay
Director of Photography:
Alexander Yellen
Editor:
James Kondelik
Executive Producer:
David Rimawi
First Assistant Director:
Dan Golden
Gaffer:
Orlando Ordonez
Line Producer:
Mary E. Brown
Makeup Department Head:
Ren Rohling
Music:
Yoshi Miyamoto
Music Supervisor:
Chris Ridenhour
Original Music Composer:
Chris Ridenhour
Post Production Assistant:
Ashley Carr
Post Production Supervisor:
David Courtice
Producer:
David Michael Latt
Production Design:
James Leszuk
Script Supervisor:
Kimberley Roper
Second Assistant Director:
Randy Carter
Sound Editor:
Lisa Ries
Craig Polding
Steve Neal
Sound Mixer:
Alexander X. Hutchinson
Still Photographer:
Marianne Williams
VFX Artist:
Aaron Witlin
Sasha Burrow
Visual Effects Supervisor:
Emanuel Rosario
Writer:
Thunder Levin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.