A work in constant progress (and occasional regress).
Release Date:
October 1, 2020
Original Title:
O Ano da Morte de Ricardo Reis
Genres:
Drama
Production Companies:
Ar de Filmes
Production Countries:
Portugal
Ratings / Certifications:
BR: 14 PT: M/14
Runtime: 129
Fernando Pessoa, one of the greatest writers in Portuguese, created an immense parallel world and several heteronyms so as to endure the loneliness of genius. José Saramago, 1998 Nobel Laureate in Literature, has a heteronym, Ricardo Reis, return to Portugal after a 16-year exile in Brazil. 1936 is a perilous year with Mussolini’s fascism, Hitler’s Nazism, Spain’s Civil War and Salazar’s New State in Portugal. And Fernando Pessoa meets his creation, Reis. Two women, Lídia and Marcenda, are Reis’ carnal and impossible passions. “Life and Death as one” allows for literature and cinema.
Additional Grip:
Marco Oliveira
Fábio Alas
Administration:
Ana Bordalo
Assistant Art Director:
Ana Costa
Assistant Costume Designer:
Madalena Braga
Sara Joana Pereira
Ana Sofia Rodrigues
Boom Operator:
Miguel Coelho
Colorist:
Jennifer Mendes
Costume Assistant:
Carlota Capitão de Sousa
Costume Designer:
Silvia Grabowski
Costume Supervisor:
Joana Veloso
Costumer:
Vera Mendes
Director:
João Botelho
Director of Photography:
João Ribeiro
Editor:
João Braz
Electrician:
António Godinho
Donato Melo
First Assistant Camera:
Ricardo Simoes
First Assistant Director:
António Pinhão Botelho
Focus Puller:
Ricardo Simoes
Gaffer:
Rodrigo Dray
Generator Operator:
Armando Chouriço
Graphic Designer:
Cinara Pisco
Grip:
Pedro Arial
Hair Designer:
Carlos Gago
Hairstylist:
Miguel Almeida
Teresa Almeida
Carla Costa
Paula Rodrigues
Fátima Sousa
Anderson Uzual
Key Grip:
Manuel Ramos
Key Hair Stylist:
Danila Hatzakis
Key Makeup Artist:
Rita de Castro
Location Scout:
João Alves
Makeup Artist:
Vera Caldeira
Soraia Guilherme
Makeup Designer:
Nuno Esteves
Music:
Daniel Bernardes
Novel:
José Saramago
Painter:
Fabienne Couvreur
António Gavinho
Producer:
Alexandre Oliveira
Production Accountant:
Sílvia Guerra
Production Assistant:
Marta Valente Lopes
Karina Queiroz
Hugo Saiote
Rute Santos
Pedro Augusto Almeida
Production Coordinator:
Marta Moreira
Production Manager:
Pedro Bento
Production Secretary:
Ivan Coletti
Production Supervisor:
Maria João Dinis
Property Master:
Thelma de Jerusalém
Screenplay:
João Botelho
Script Supervisor:
Paulo Guilherme
Seamstress:
Donzilia Faria
Second Assistant Camera:
Ricardo Lameiras
Second Assistant Director:
Pedro Ramalhete
Set Decoration:
Cláudia Lopes Costa
Carlos Subtil
Sound:
Francisco Veloso
Sound Designer:
Tiago Inuit
Sound Editor:
Francisco Veloso
Sara Braz
Sound Mixer:
Joana Niza Braga
Paulo Abelho
Sound Recordist:
Jorge Saldanha
Special Effects Supervisor:
Filipe Pereira
Special Effects Technician:
Joana Eufrázia
Pedro Maurício
Miguel Miranda
Hugo Peralta
Pedro Rainho
Still Photographer:
Luísa Ferreira
Third Assistant Director:
Tomás Novais Castro
Visual Effects:
Pedro Vicente
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.