A work in constant progress (and occasional regress).
Release Date:
October 27, 2021
Original Title:
Oray
Genres:
Drama
Production Companies:
Filmfaust Filmproduktion
Kunsthochschule für Medien Köln
ZDF
Production Countries:
Germany
Ratings / Certifications:
CH: 12
Runtime: 100
Oray speaks in a quarrel with his wife Burcu three times 'talaq', the islamic formula for repudiation. The imam informs him about the consequences: he has to divorce his wife. Now Oray is in a dilemma: Should he stay with Burcu or with the community?
Additional Camera:
Mahmoud Belakhel
Assistant Production Manager:
Jonas Steltenkamp
Camera Operator:
Alexander Pauckner
Casting:
Kerstin Neuwirth
Co-Producer:
Mehmet Akif Büyükatalay
Continuity:
Neshe Demir
Fabian Treder
Costume Design:
Marisa Lattmann
Dialogue Editor:
Jonas Weu
Digital Colorist:
Fabiana Cardalda
Director:
Mehmet Akif Büyükatalay
Director of Photography:
Christian Kochmann
Editor:
Denys Darahan
Electrician:
Julius Dommer
Martin Paret
Ekbal Sadid
First Assistant Camera:
Alexander Kohn
Gregor Steinweg
First Assistant Director:
Tessa Langhans
Gaffer:
Nora Daniels
Fabian Zenker
Makeup Artist:
Henrike Hupptersberg
Producer:
Bastian Klügel
Claus Reichel
Production Assistant:
Deren Ercenk
Production Design:
Jeanette Bastisch
Production Manager:
Daniela Dieterich
Navid Razavi
Bazon Rosengarth
Second Assistant Camera:
Kirsten Eschmann
Second Assistant Director:
Bilal Bahadır
Sound:
Armin Badde
Sound Assistant:
Tarik Badaoui
Tim Gorinski
Sound Designer:
Daniel Paulmann
Sound Mixer:
Henning Hein
Unit Manager:
Janek Korbinian Kobusch
Wardrobe Coordinator:
Dorothea Mines
Writer:
Mehmet Akif Büyükatalay
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.